Scottish Daily Mail

POPULAR WENDY HOLDEN

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RED IS MY HEART by Antoine Laurain and Le Sonneur

(Gallic £14.99) out just in time for Valentine’s Day, this inspired combinatio­n of romantic musings and playful drawings is a collaborat­ion between two great Parisians: novelist Laurain and contempora­ry artist Le sonneur.

the plot, such as it is, concerns a recently ended relationsh­ip and we follow our hero (or heroine’s) inner journey across a range of related topics. Could a new watch reset a life? Were clothes responsibl­e for the split? Quirky drawings interspers­e the witty text.

While the subject is ostensibly love, as ever with Laurain it’s really Paris. Lovers of the city and lovers in general will love this.

ALL’S WELL by Mona Awad (Scribner £14.99)

PEOPLE with bad backs will appreciate this book, which elevates the condition to that of literary inspiratio­n. it’s also really funny. Miranda runs the drama department at a minor university; her choice for the student play, all’s Well that ends Well, isn’t going down all that well. the class is mutinous and a tricksy colleague is after her job.

and then there’s the chronic pain, the painkiller addiction and the recent collapse of Miranda’s marriage. But after she hits rock bottom on the floor of a seedy bar, life takes an unexpected turn.

the satirical targets, all brilliantl­y hit, include useless physios, entitled students, internet advertisin­g and — for all you romantics out there — love!

THE STARS ARE NOT YET BELLS by Hannah Lillith Assadi (Sceptre £16.99)

the narrator has dementia, so one cannot be sure what’s true and what isn’t. that it switches back and forth in time only adds to the confusion. But the poetic beauty of the writing and a certain swirling Gothic passion and drama bowl the reader along.

it’s 1997 and elle still lives on the island off savannah, Georgia, where she arrived as a bride in 1941.

as well as musing on her husband who had a mysterious quest (for some strange blue stones, since you ask), elle mourns a former lover whose loss she has never got over. an unusual, intense, experiment­al novel, but it didn’t quite work for me.

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