Scottish Daily Mail

Strawberry split is a hit

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QUESTION Was The Beatles’ Strawberry Fields Forever two songs spliced together?

STRAWBERRY Fields Forever combined two versions of the same song. The creation of what has been top of many ‘greatest single of all time’ polls was a work of innovative genius.

The story begins in Almeria, Spain, in autumn 1966, when John Lennon was filming How I Won The War. He was staying at the Santa Isabel villa with his then-wife, Cynthia, and co-star Michael Crawford.

Its wrought-iron gates and lush vegetation reminded Lennon of playing as a boy in the garden of Strawberry Field, a Salvation Army children’s home in Liverpool. He recorded at least half-adozen demos of the song at Santa Isabel using, appropriat­ely, a Spanish guitar and a portable tape player.

When Lennon returned from the six-week shoot, he continued to develop his ideas in his home studio at Kenwood House in Weybridge, Surrey.

The only way he had of building up layers of sound was a live overdub technique. He would play a recorded segment on one tape machine and then add another layer by playing live, recording both parts on a second machine.

The analogue nature of the recording led to every dub degenerati­ng the overall sound. Lennon’s frustratio­n with the laborious process is evident on the nine takes referred to as the Kenwood Demos.

Strawberry Fields Forever was then recorded at Studio Two, Abbey Road. Take One started on November 24, 1966. The song was built up in layers, culminatin­g in Take Seven on November 29, 1966.

The other Beatles thought it was complete, but Lennon wasn’t happy because he wanted a heavier sound. So the song was re-recorded from scratch. This second version was completed with Take 26 on December 21.

John then decided he wanted to use the beginning of the first version and the end of the second — and left this to producer George Martin to bring about. This was a seemingly outrageous request as the two versions had different tempos and keys.

It was then that one of the miracles of pop music occurred. Martin, assisted by studio engineer Geoff Emerick, took the first 60 seconds of the first lighter version, slowed down the more intense Take 26 and speeded up a new mix of Take Seven to cut a master. Almost a month after The Beatles started recording Strawberry Fields Forever, it was finished.

You can hear some of those earlier takes on the 2017 issue of Sgt Pepper’s Lonely Hearts Club Band — 50th Anniversar­y Super Deluxe Edition.

Graham Calkin, Basildon, Essex.

QUESTION Does baby hair contain gold?

AN ADULT human body naturally contains 0.2mg of gold, worth about 1p, but a baby’s hair has more than this.

Gold is the least reactive metal, so does not oxidise in the natural environmen­t. It is found as nanopartic­les in seawater and soil. Animals and plants absorb some, which passes up the food chain to us.

Our bodies regulate the concentrat­ions of biological­ly active metals such as zinc and copper, removing any surplus via the skin and hair. Though harmless, gold is naturally excreted in the same manner.

Breast-fed babies have twice as much gold in their hair as adults, with the surplus derived from the mother’s milk.

Kathy Stewart, Chester.

QUESTION Why is Pope’s Head Alley in the City of London so called?

POPE’S Head Alley was named after a pub. In the days when most people were illiterate, businesses had to use ways of identifyin­g themselves that didn’t rely on the written word.

A red and white striped pole is still used to indicate a barber’s. It represents the bandages used to dress wounds by barber-surgeons. Apothecari­es placed jars of herbs, roots and syrups in their windows, while artisans hung symbols of their trade outside their premises, such as a hammer and tongs for a blacksmith.

Inns and taverns displayed the widest range of signs and symbols. In some cases, they were physical objects, such as a wheatsheaf or plough, but in others they were painted wooden boards displaying a picture or coat of arms, as they still do today.

The Pope’s Head pub almost certainly had a sign depicting the painted head of a pontiff, probably in formal regalia, to make sure he wasn’t mistaken for a lesser cleric.

The tavern pre-dates Henry VIII and it is believed the name changed to The Bishop’s Head during his reign when the Church of England separated from Rome. The name subsequent­ly changed back again.

The tavern stood at one end of an alley to which it gave its name. At one time the alley was lined with small printing businesses and shops.

After the tavern was destroyed by the Great Fire of London in 1666, the alley was rebuilt, though it may not be on its original site.

A comparison of pre and post-fire maps shows Pope’s Head Alley running through an area once occupied by buildings. It originally started opposite Post Office Court, but is now a few yards further east.

Robert Sutherland, Northampto­n.

IS THERE a question to which you want to know the answer? Or do you know the answer to a question here? Write to: Charles Legge, Answers To Correspond­ents, Scottish Daily Mail, 20 Waterloo Street, Glasgow G2 6DB; or email charles.legge@dailymail.co.uk. A selection is published, but we’re unable to enter into individual correspond­ence.

 ?? ?? Pointing to success: The Beatles in 1966, when they recorded Lennon’s song
Pointing to success: The Beatles in 1966, when they recorded Lennon’s song

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