Scottish Field

A collection of nostalgic island photograph­y by Margaret Fay Shaw

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American Margaret Fay Shaw came to the Hebrides in 1921 as a teenager and spent the rest of her life on the West Coast capturing memorable images. Her collection represents a remarkable record of island life from a bygone age

She decided then and there to make discoverin­g the ‘pristine’ version of these songs her life’s work

The images published here are a small representa­tion of the lifetime’s work of American folklorist Margaret Fay Shaw, who adopted the Hebrides as her home in her twenties, writes Fiona Mackenzie, archivist for the National Trust for Scotland. Born in Pittsburgh in 1903, Margaret first came to Scotland in 1921, aged just 17 and it was in Helensburg­h that she discovered Gaelic song at a recital by Marjory Kennedy Fraser.

She decided then and there to make discoverin­g the ‘pristine’ version of these songs her life’s work. This she did, documentin­g her song-collecting life with images and film of her family and friends, animals, adventures and homes along the way.

We can see here in her images from the Aran Islands, Canna, Uist, Skye and St Kilda, the close connection she felt to the people, landscapes and livestock that surrounded her where she lived and travelled. She wrote that at the time, ‘(she) didn’t realise what she was doing….(she) just did it for the love of it.’

These beautiful and fascinatin­g photograph­s form part of a collection of almost 9,000 images and slides, all kept in Canna House on the Isle of Canna, where Margaret Fay Shaw lived until her death in 2004. The negatives are currently being re-digitised to high resolution standards to increase accessibil­ity, but over 100 of Shaw’s images can already be found in the book Eilean: The Island Photograph­y of Margaret Fay Shaw.

We can see in her images the close connection­s she felt to the people, landscapes and livestock

Documentin­g her song-collecting life with images and film of family, friends, animals, adventures and homes, along the way

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 ??  ?? RIght: Margaret Fay Shaw at Dun Oghill on the Aran Islands with her Graflex camera. Opposite: Loch Scavaig taken from Elgol.
RIght: Margaret Fay Shaw at Dun Oghill on the Aran Islands with her Graflex camera. Opposite: Loch Scavaig taken from Elgol.
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 ??  ?? Above: The ‘smiling’ children of the Aran islands off Galway. Top Right: Dyeing yarn for blankets and tweeds from roots of flowers and peat on South Uist. Bottom right:Catching sea birds on St Kilda.
Above: The ‘smiling’ children of the Aran islands off Galway. Top Right: Dyeing yarn for blankets and tweeds from roots of flowers and peat on South Uist. Bottom right:Catching sea birds on St Kilda.
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 ??  ?? Clockwise from left: Highland bull outside the bothy on Canna; ‘I was struck by the beauty of so many women of Inis Meain’; Seonaidh Caimbeul, the Lochboisda­le Bard and family fishing in 1931; Màiri Macrae, North Glendale, cutting reeds; cutting Màiri Anndra’s peat.
Clockwise from left: Highland bull outside the bothy on Canna; ‘I was struck by the beauty of so many women of Inis Meain’; Seonaidh Caimbeul, the Lochboisda­le Bard and family fishing in 1931; Màiri Macrae, North Glendale, cutting reeds; cutting Màiri Anndra’s peat.
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 ??  ?? Above: Peigi Macrae milking Dora the cow outside Taigh Màiri Anndra. Left: North Glendale ‘guisers’ at Hallowe’en.
Above: Peigi Macrae milking Dora the cow outside Taigh Màiri Anndra. Left: North Glendale ‘guisers’ at Hallowe’en.
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