BBC Sky at Night Magazine

The Guide

An introducto­ry guide to stacking.

- With Steve Richards

The alternativ­e to long, single exposures that will best capture deep-sky objects

Having seen the amazing deep-sky images amateur astro imagers produce these days, you’re no doubt pondering having a go yourself. In which case it won’t be long before you come across the term ‘stacking’. But what is that mean and why is it so important to astrophoto­graphy?

Stacking, also known as integratio­n, is all about increasing the signal-to-noise ratio (SNR) of your images; in other words, increasing the signal that you do want and reducing the noise you don’t. Every image you capture contains both signal and unwanted noise. Over time the noise level grows at a slower rate than that of the signal so very long exposures produce higher signal-to-noise ratios resulting in smoother, cleaner, more detailed images.

However, there are limits to the exposure lengths you can achieve. These limits are set mainly by: the accuracy of your mount’s tracking; the amount of light pollution and atmospheri­c conditions at your location; the sensitivit­y of your camera; the focal ratio of your telescope; how bright the object is you’re imaging; and the risk of exposing your image until the pixels over-saturate. Meanwhile, images captured at too short an exposure will fail to pick up the very dimmest details in your target.

Instead of long exposures, then, astro imagers shoot as many similar images of their target as they can and then combine them into a single image using stacking.

There is no hard and fast rule for the number of images required for the process but typically a batch of around 20 images is ideal, though any number over five will yield noticeable improvemen­ts.

So, how does stacking actually work? The key to it is that unwanted noise in a typical image tends to be random across different exposures whereas the desired signal is consistent. When a set of images is stacked, the individual image values are averaged, which means that the random noise overall diminishes but the signal remains constant. This means that the ratio of the signal to the noise increases, resulting in a much cleaner, more detailed image with a smoother background.

Dynamic ranger

As well as striving to increase the SNR of their images, astro imagers also aim for a wide dynamic range. Dynamic range is the spread of brightness levels from the dimmest recorded light value that can be captured to just before pixels become saturated.

Objects with a wide dynamic range include the Andromeda Galaxy and the Orion Nebula, with their intensely bright cores and much fainter outer regions. A single image of these could easily reach saturation on the brightest areas before the dimmer details have registered at all. But when you stack several unsaturate­d images together, the dimmer values accumulate into higher values, bringing fainter objects over the bottom limit of the dynamic range (in other words, you can start to see them), while at the same time the brighter values increase as well. Stacked images, therefore, display a wider dynamic range.

To take advantage of this seemingly win-win process, a few additional steps need to be carried out. Noise isn’t limited to the quality of the signal received by the sensor. There are unwanted signals generated by the camera’s sensor itself; thermal noise as the sensor warms up during long exposures; variations in pixel-to-pixel sensitivit­y; shadows caused by dust particles; and vignetting of the light cone. This additional degradatio­n of the image is tackled by a process called calibratio­n, which involves capturing extra one-off frames that are included in the stacking process to ‘subtract’ noise (see the box-out above for more details).

A useful piece of jargon to know at this point is that all the individual shots of your target image are called light frames when it comes to the calibratio­n process.

Once the images have been calibrated, they need to be aligned with one another before the stacking. The calibratio­n, alignment and final stacking processes can be easily carried out using specialist astronomy-based image processing software. DeepSkySta­cker is an excellent free program but other commercial image processors like Astroart, Astro Pixel Processor, MaxIm DL, Nebulosity and PixInsight are worth considerin­g.

As ever, your best bet is to start small, experiment­ing with a few frames on easy objects, and work up from there. Because mastering stacking is a key skill when it comes to truly awesome deep-sky images.

 ??  ?? The same image with 11 exposures stacked
The same image with 11 exposures stacked
 ??  ?? A single-exposure, colour image
A single-exposure, colour image
 ??  ??
 ??  ?? PixInsight is one of a number of image processing programs available that automatica­lly calibrate, align and ultimately stack your images to produce your final masterpiec­e
PixInsight is one of a number of image processing programs available that automatica­lly calibrate, align and ultimately stack your images to produce your final masterpiec­e

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