Stamp Collector

D-DAY FOR OUR COINS

-

Tom Hockenhull, Curator: Medals and Modern Money, British Museum, provides ten little-known facts about Britain’s switch to a decimal currency

On a grey, drizzly Monday, 15 February 1971, Britain went decimal. Ten years in the planning, ‘D-day’ upended a currency system that had been unchanged for more than a millennium. Celebratin­g the publicatio­n of a new book, Making Change: the decimalisa­tion of Britain’s currency, author Tom Hockenhull, Curator: Medals and Modern Money, British Museum provides ten littleknow­n facts about how it happened 1. Decimalisa­tion had been discussed since the seventeent­h century

Early advocates of decimalisa­tion included Sir Christophe­r Wren (1632-1723) and the influentia­l economist Sir William Petty (162387) who, in 1682, proposed a system to ‘keep all Accompts in a way of Decimal Arithmetic­k’. However, the opportunit­y was not taken and in 1704 Russia became the first country to decimalise under the reforms of Peter the Great (reigned 1682-1725). There were concerted efforts to implement UK decimalisa­tion during the mid-19th century. At the Internatio­nal Monetary Conference convened in Paris in 1867, representa­tives from several nations were invited to discuss how they might introduce a decimalise­d internatio­nal currency. Rather out of politeness than genuine enthusiasm, the British Government dispatched a Treasury official and Thomas Graham (1805-69), Master of the Mint, with instructio­ns merely to observe the proceeding­s. Unbeknown to the government, Graham in his enthusiasm for the project had prepared by having the Mint produce pattern decimal pence/ franc pattern coins which he shared with the other delegates along with his proposal for a decimal system. The Government reluctantl­y agreed to investigat­e and it duly convened a Royal Commission. This Commission, however, poured cold water on the proposal, as it would require the withdrawal of all the UK gold coinage.

2. The impetus for reform came from the Commonweal­th

In the late-1950s India decimalise­d its rupee and there were similar commitment­s from New Zealand, Australia and the Republic of Ireland. These decisions reflected an overall disengagem­ent from the post-colonial project. In South

Africa the 1961 introducti­on of the rand (a new currency) was further evidence of the hostile Afrikaner government’s deliberate distancing from the Commonweal­th, which it left in the same year. The only nondecimal currencies left would soon be those of the UK, Nigeria, Malta and the Gambia. Within just a few years Britain’s idiosyncra­tic £.s.d. system had become exposed and isolated among world currencies. The government responded by, in 1961, appointing a Committee of Inquiry chaired by Tony Giffard, 3rd Lord Halsbury (1908–2000). The Halsbury Committee was tasked with advising on the most practical form the currency could take, the timing of its introducti­on and an estimate of the costs. Its report was published in 1963, though a public announceme­nt on decimalisa­tion would not be made until 1966.

3. The Royal Mint held a secret team competitio­n to produce the initial designs

Following the appointmen­t of the Halsbury Committee the Royal Mint secretly invited various arts bodies to form teams that would compete against one another to produce new decimal designs. The Royal Designers for Industry and Royal College of Art formed a joint RCA/RDI team, whose members included the modernist sculptor Geoffrey Clarke (19242014) and Christophe­r Ironside (1913-92). They took to the task with enthusiasm. Geoffrey Clarke’s ideas were particular­ly experiment­al. He proposed dish-shaped coins and designs where all the textual informatio­n is restricted to one side. They were considered too adventurou­s, and taken no further. From this competitio­n Arnold Machin (from the Royal Academy team) was selected to sculpt a new portrait of the Queen, while Christophe­r Ironside took on the decimal reverses.

4. Machin sculpted the portrait of the Queen from life

Arnold Machin recounts in his autobiogra­phy how he was granted four sittings with the Queen in an upstairs room at Buckingham Palace. One final sitting took place at Balmoral Castle where the Royals were spending the Summer break. While there he was given a tour of the estate and invited to a special dinner celebratin­g the announceme­nt that the Queen was expecting a fourth child. Machin found the Queen to be a relaxed and genial host with a mischievou­s sense of humour – she once asked him his opinion on the artist L.S. Lowry, and listened with a smirk while Machin held forth about how much he hated his work. He later learned that she had bought a Lowry painting only the week before.

5. Government ministers hated Ironside’s initial designs

Ironside’s preliminar­y designs were completed between 1963 and 1966, and shown to cabinet ministers in July of that year. The response was less than enthusiast­ic with one particular­ly vocal critic describing them as ‘bad, fussy and “old hat”’. This was a huge blow to the Mint. Feeling that the role of Mint Advisory Committee had been undermined, the Duke of Edinburgh briefly contemplat­ed resigning as its President. Instead, in August 1966, he wrote to the Chancellor suggesting that, since ministers didn’t like them, perhaps

a public competitio­n could be held to find fresh designs. Ironside was summoned to the Mint where the Deputy Master, Jack James, poured him a large gin and tonic and broke the calamitous news. After a few days’ despair, Ironside resolved that he must enter the open competitio­n with a fresh set of designs, so he went back to the drawing board. These improved designs won the competitio­n. Had they not, Ironside’s role in the decimal coinage would be no more than an unfortunat­e footnote.

6. The portcullis on the ½p

With the competitio­n won, Ironside’s decimal reverses quickly fell into place – the crest of England on the 10p, badge of Scotland on the 5p and badge of the Prince of Wales on the 2p. In his submission to the competitio­n Ironside had proposed that the portcullis motif associated with Parliament should sit on the ½p. However, since the ½p was looking likely to be later withdrawn owing to inflation, its design was considered the least important of the set. The decision was taken to transfer the portcullis onto the 1p coin while a more expendable design – a royal crown – was introduced on the ½p. The Mint was later alerted to a minor error in the portcullis design, specifical­ly in the crown of Henry VII above where the cross pattée and not the fleur-de-lys should come by the arches. The same error had been made on the sixteenth century gates of Westminste­r chapel, which is possibly where Ironside saw and copied it. Nobody else had seemed to notice, and so the Mint remained quiet.

7. Public reaction to the new 50p was fierce

The new seven-sided 50p coin was extensivel­y marketed. Posters were printed and the Decimal Currency Board arranged for a sample to be used in the coin toss at the 1969 FA Cup Final. Released into circulatio­n on 14 October 1969 to relatively positive reviews, coverage quickly turned hostile with The Times declaring the coin a ‘monstrosit­y’. There were concerns that it might be confused with the similarly sized 10p piece. The Mint received almost 600 letters of complaint, although only twentyeigh­t claimed to have lost money as a result of the confusion, and in November it became the subject of a heated debate in the House of Commons. The storm gradually died down and acceptance of the coin gradually grew, from a mere 28 per cent approval rating in November 1969 to 56 per cent by March 1970.

8. Technician­s worked around the clock to convert cash registers

The UK’S estimated 610,000 cash registers all had to be made decimal-ready. Planning had commenced years in advance and parts had been stockpiled in readiness. The task fell to teams of technician­s employed by the big manufactur­ers who worked fifty or even sixty-hour weeks from January to October 1971. The National Cash Register Company employed 1,600

technician­s to complete the job. Most machines made after 1960 were decimal ready, meaning that they could be converted at the flick of a switch. Older models were more complicate­d and most mechanical models had to be taken to bits to have their innards modified or replaced altogether. The conversion of equipment came at a cost which had to be borne by the retailer. With new machines costing about £100, most elected to have their existing machines converted, at a cost of £30 to 40.

9. Croydon’s place in decimal history

In February 1970 Sainsbury’s, at the time Britain’s largest grocer, converted its Croydon store to serve as a decimal training shop. Upon arrival, shoppers were shown a short film, Quick Change, and then allowed to try shopping in the store, which stocked around 400 of Sainsbury’s 3,000-strong product line. The shop aimed to provide as realistic a shopping experience as possible in which to train 1,500 Sainsbury’s employees (out of a total staff of 25,000). The consumer magazine Which? interviewe­d sixty-seven housewives who had just been through the store, and the results were encouragin­g: overall, sixty-two of the group rated the experience as at least ‘fairly easy’.

10. D-day was a ‘non-event’

Bill Fiske, Chairman of the Decimal Currency Board, famously declared that D-day would be the non-event of 1971. By and large, he was right. February had been chosen for the changeover because it was the least inconvenie­nt time of the year – a quiet day for businesses and banks. Banks had, in fact, been closed since the end of Wednesday 10 February, giving them four days to prepare – an inconvenie­nce for customers that was offset slightly by a recent innovation to the high street: the cashpoint. A survey commission­ed by the DCB on the day found that 67 per cent of those interviewe­d found shopping easy, 25 per cent found it hard and 8 per cent had no feelings either way. Crucially, of those interviewe­d, 73 per cent said it would get easier over time. Newspapers were quick to declare that D-day had been a success: ‘You’re getting the point’, said London’s Evening Standard.

 ??  ?? 1
Silver 1 franc/10 pence patterncoi­n, 1867
1 Silver 1 franc/10 pence patterncoi­n, 1867
 ??  ?? 2
A well-thumbed library copy of the Halsbury Report, published 1963
2 A well-thumbed library copy of the Halsbury Report, published 1963
 ??  ?? 3
Plaster models for the decimal coinage by Geoffrey Clarke, 1962–63 4
UK 10p coin featuring Machin’s portrait of the Queen, 1968
3 Plaster models for the decimal coinage by Geoffrey Clarke, 1962–63 4 UK 10p coin featuring Machin’s portrait of the Queen, 1968
 ??  ?? 5
Plaster model for a 2p coin by Christophe­r Ironside, early 1966
5 Plaster model for a 2p coin by Christophe­r Ironside, early 1966
 ??  ?? 7
Decimal Currency Board poster advertisin­g the new 50p coin, 1969
7 Decimal Currency Board poster advertisin­g the new 50p coin, 1969
 ??  ?? 6
Sketches for a ½p by Christophe­r Ironside, 1966
6 Sketches for a ½p by Christophe­r Ironside, 1966
 ??  ?? 8
A Sweda model 46 stainless steel cash register, about 1960, converted to decimal. This model required the replacemen­t of part of its keyboard for conversion
8 A Sweda model 46 stainless steel cash register, about 1960, converted to decimal. This model required the replacemen­t of part of its keyboard for conversion
 ??  ?? 9
Sainsbury’s decimal store in Croydon, 1970 (image reproduced courtesy The Sainsbury Archive, Museum of London Docklands)
9 Sainsbury’s decimal store in Croydon, 1970 (image reproduced courtesy The Sainsbury Archive, Museum of London Docklands)
 ??  ?? 10
Front page of the
Daily Mirror, 15 February 1971
10 Front page of the Daily Mirror, 15 February 1971

Newspapers in English

Newspapers from United Kingdom