Stuff (UK)

Fuji GFX100S

Medium-format cameras take incredible stills but weigh heavy on the nerd – so Sam Kieldsen swapped in Fuji’s new sub-1kg upstart for a physio-free fortnight

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Medium-format, medium-pricey

DAY 01

Medium-format cameras aren’t known for their user-friendline­ss. Bulky, eye-wateringly expensive and rarely possessed of the planed-down niceties of a mirrorless, they’re traditiona­lly tough to live with… but their giant sensors are capable of producing glorious photos.

Fujifilm’s latest GFX camera bucks the trend – well, mostly.

It’s compact and lightweigh­t by medium-format standards and packed with features like in-body image stabilisat­ion and fast, accurate phase-detection autofocus that make it operate like the company’s X-series mirrorless models.

Weighing 900g without a lens, the GFX100S is 500g lighter than the £10,000 flagship GFX100. It’s also much more compact thanks to a significan­tly lower height and a slimmer frame. The only real trade-off is the loss of the vertical battery grip – something we’d wager most people don’t really want anyway.

The grip would allow you to fit more batteries and hold it more steadily in a vertical orientatio­n, so there are some advantages, but taking it outside to shoot 102MP images without feeling like you need a neck replacemen­t afterwards is a huge deal. It’s still chunky, particular­ly with a GFX lens on, and weatherpro­of.

Like the GFX100, this new model has a 3.2in three-way tilting touchscree­n on the back. It won’t flip fully forward, but will tilt slightly to the right as well as up and down. That flexibilit­y is likely to be useful when the camera is set on a tripod, as it means you won’t have to stoop to compose shots. Vloggers will want a forward-flip screen, of course, but how many of them are considerin­g a camera this big or expensive for documentin­g their ramble-chats?

There’s an electronic viewfinder too, and very nice it is, if not quite as sharp as the interchang­eable viewfinder on the GFX100. Both cameras have a useful top-plate LCD panel, giving at-a-glance info on current settings even when the camera is powered down.

 ??  ?? £5499 (body only) / stuff.tv/gfx100s
This camera’s image stabilisat­ion has a full six stops of compensati­on compared to the GFX100’S 5.5.
£5499 (body only) / stuff.tv/gfx100s This camera’s image stabilisat­ion has a full six stops of compensati­on compared to the GFX100’S 5.5.
 ??  ?? It’s a camera you can take out to shoot 102MP images and not feel like you need a neck replacemen­t afterwards
It’s a camera you can take out to shoot 102MP images and not feel like you need a neck replacemen­t afterwards

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