Sunday Express

Experts in turmoil as Branagh plays Shakespear­e with traditiona­l large nose

- Mike Parker

SIR KENNETH BRANAGH has always been able to sniff out a great role. But his latest film may leave some snorting with derision.

Playing William Shakespear­e in All Is True, which he also directs, has reignited huge controvers­y... over the shape of the Bard’s nose.

The classicall­y trained actor, 57, has delighted many scholars by wearing a “full prosthetic”.

Other experts, however, are convinced Shakespear­e had a much smaller proboscis that gave him a less refined appearance.

Historians have been divided for centuries over what the Bard looked like and which artistic view of him from the 17th century paints the most accurate image.

Many believe the most likely resemblanc­e is captured by the Chandos portrait, named after the dukes of Chandos who owned it, that has been hanging in London’s National Portrait Gallery since 1856. It is believed to have been painted by actor and artist John Taylor between 1600 and 1610.

But in 1991 new provenance emerged to authentica­te an engraving by Martin Droeshout on the title page of the First Folio collection of Shakespear­e’s plays, published in 1623, seven years after the Bard’s death. It shows the writer with a smaller nose.

Shakespear­e’s friend and fellow writer Ben Jonson said Droeshout had “hit his face” accurately.

Yesterday Sir Kenneth’s publicist confirmed the triple Bafta winner based his version of Shakespear­e on the Chandos portrait. He said: “The portrait itself does, in fact, appear in the film and it has been a great source of inspiratio­n for Ken.” A senior executive at Sony Pictures, which is distributi­ng the movie, revealed: “There was a great deal of discussion about how Sir Kenneth’s Shakespear­e should look and he followed a very traditiona­l path.

“There was a smaller version, based on another artist’s work, but he obviously decided that would not work.

“Shakespear­e’s goatee beard and quite angular nose are pretty much embedded in public consciousn­ess.”

The actor, who developed a lifelong love of Shakespear­e’s works while at the Royal Academy of Dramatic Art in London, has starred in several screen treatments, including Henry V, for which he was Oscar-nominated, Much Ado About Nothing, Othello, Hamlet, Love’s Labour’s Lost and As You Like It.

All Is True, which hits UK cinemas on February 8, co-stars Dame Judi Dench as Anne Hathaway. It is set in 1613, when the Bard was already recognised as the greatest writer of his age.

He returns home to Stratfordu­pon-Avon after his Globe Theatre is destroyed by fire to face his troubled past and confront his failings as a husband and father.

Dr Tarnya Cooper, former curator at the National Portrait Gallery, also favours the Chandos likeness. She said: “It is certainly fairly likely we are looking at the face of Shakespear­e.”

Artist Geoffrey Tristram, who was commission­ed to create a painting for the 400th anniversar­y of Shakespear­e’s death in 2016, told of his difficulty with the task.

He said: “There are few original pictures of Shakespear­e and none that are face-on.

“To be honest, I was scared stiff as they are very careful about how Shakespear­e is portrayed in Stratford-upon-Avon.

“It’s interestin­g the movie has gone to great lengths to get the image right – and quite right too.”

‘Smaller version wouldn’t work’

 ??  ?? A NOSE BY ANY OTHER NAME: Sir Kenneth Branagh in All Is True. Right, Droeshout’s engraving and, below, the Chandos portrait
A NOSE BY ANY OTHER NAME: Sir Kenneth Branagh in All Is True. Right, Droeshout’s engraving and, below, the Chandos portrait

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