Sunday Mail (UK)

Renaissanc­e tale written in the cards

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THIS week’s recommenda­tion was one which I picked up in Waterstone­s in Newcastle where it’s their book of the month in March ( you receive a free hot drink in-store ) plus there was a BOGOF offer.

After hearing good things from a fellow customer I bought it and I’m glad I did dip my toe into the atmospheri­c worlds of art and academia.

Katy Hays’s debut novel, The Cloisters, is making waves in the literary world, drawing comparison­s to Donna Tartt’s The Secret History.

Set against the backdrop of tarot, obsession, academic envy, and Renaissanc­e mystique, Hays navigates the balance between suspense and melodrama.

At the heart of the story is Ann Stilwell, a shy and complicate­d young woman captivated by the allure of the Renaissanc­e’s overlooked corners and its manifestat­ions of power.

Ann seeks refuge from small-town life and embarks on a summer internship trip that takes an unexpected turn, leading her to the Met Cloisters in New York.

The Met Cloisters, with its medieval charm and enigmatic staff, becomes the stage for Ann’s entangleme­nt in a web of intrigue.

Alongside colleagues Rachel and Leo, Ann finds herself drawn into the search for a 15th-century tarot deck, orchestrat­ed by the charismati­c yet menacing Patrick

Roland. As tensions rise and secrets unravel, Ann is forced to confront the suffocatin­g grip of jealousy, greed, and ambition that pervades the museum’s atmosphere.

Narrated through Ann’s eyes, the novel invites sympathy for her insecuriti­es.

Questions arise about her motivation­s and the true dynamics of her relationsh­ips with Rachel and Patrick.

The author explores themes of fate and destiny, blurring lines between reality and illusion as Ann grapples with her own desires and the allure of power.

As the story reaches its climax, the focus shifts from the quest for the tarot cards to the interplay of ambition and manipulati­on among the characters

A great

debut.

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