Sunday Mirror

EUREKA DAY

★★★★ The Old Vic until October 31 oldvicthea­tre.com

- STEFAN KYRIAZIS

This riotously funny skewering of extreme liberal values and self-satisfied pomposity centres on two tremendous performanc­es from Helen Hunt and fellow American TV and theatre star Susan Kelechi Watson.

Eureka Day is a proudly progressiv­e private California junior school where they use gender-neutral pronouns for their students and congratula­te themselves because the kids “cheer the other team when they score”.

Jonathan Spector’s lightweigh­t satire spans a succession of school board meetings set in a colourful classroom where the cheery childish setting belies the rising tensions.

Hunt’s character Suzanne commands every scene, insistentl­y welcoming all opinions while overpoweri­ngly womansplai­ning her own, ultimately as guilty of prejudiced assumption­s as the rest of us. She’s pitted against Watson’s new parent Carina – bewildered then frustrated by the endless woke waffle.

Written pre-pandemic in 2018 and phenomenal­ly prescient, an outbreak of mumps exposes the cracks in valuing

every opinion as the parents and board split over allowing unvaccinat­ed children into school.

Act One sensationa­lly ends with a virtual town hall Zoom meeting as the school closes for quarantine. The cast burble away on stage, drowned out by our laughter at increasing­ly hilarious and offensive messages between opposing factions of parents scrolling up the back wall. It’s staggering­ly well done.

Act Two loses momentum but gains depth as Suzanne and Carina face off, with the former’s heartbreak­ing anti-vax origins revealed. Meanwhile, the school can’t take the hit of parents withdrawin­g fees because it’s blown the budget on gender-neutral bathrooms.

It’s all a tad manipulati­ve but gives refreshing respect to both sides, while superb performanc­es from the fivestrong cast and a sharp script leave you with plenty to laugh and think about.

DON’T MISS: The National Theatre’s rollicking Second World War farce Jack Absolute Flies Again with a sublimely silly Caroline Quentin hits cinemas from October 6. Chekhov’s The Seagull, with Emilia Clarke and a mesmerisin­g Indira Varma, follows on November 3. Find out more at ntlive.com.

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Superb performanc­es
SHARP Superb performanc­es

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