Tabletop Gaming

Your chance to out-do Slartibart­fast

- Designer: Franz-Benno Delonge & Phil Walker-Harding | Publisher: Grail Games DAN JOLIN

Australian designer Phil Walker-Harding (Sushi Go!, Bärenpark) cites Fjords as one of the games that got him into modern board gaming, back on its publicatio­n in 2005 – only two years before its designer, Franz-Benno Delonge, sadly passed away. It was then a simple tile-laying duel very much like Carcassonn­e, in which two players must competitiv­ely create a Scandinavi­an landscape, onto which they place settlers to vie for population dominance.

With this re-issue, which WalkerHard­ing describes as a “fan’s adaptation,” he’s turned Fjords into a two-tofour player experience, while layering on some added strategy, through the introducti­on of rune stones, which are offered as a built-in expansion.

The core gameplay remains essentiall­y untouched. In the first phase – Exploratio­n – players must alternatel­y lay hex tiles, placed in such a way that their plains, mountains and coastal strips fully connect up with those on two neighbouri­ng hexes; if a valid placement isn’t possible, they must choose another tile. They can also elect to plonk down one of their four longhouses on the tile just placed, providing a launching point for the second phase: Settlement, where Viking meeples are added, one at a time, to any empty tile adjacent to one of your own pieces (adjacency depends on connected plains – your settlers can’t scale mountains or cross seas).

The only major tweak is that, rather than drawing tiles blind from the bag

as in the original version, each player selects one, Cascadia style, from a row of four, before replacing it with a hex from the bag. This reduces the challenge a little, but also gives you more opportunit­y to craft a landscape best suited to your longhouse placements. For example, if you have a base at one end of a long valley or along a nice, windy fjord, you may be able to block other players from settling any of those tiles.

The rune stones, meanwhile, are a welcome addition, in that they spice the game up for anyone who may come to feel overly familiar with it. There’s a whole set that you can apply in different combinatio­ns, which typically either offer extra ways to score during the Settlement phase (for instance, the water rune means any Viking connected to it via ocean earns an extra point), or provide more flexibilit­y for Viking placement (you can play a horse rune to scamper up to three tiles from a Viking or longhouse via mountains).

Given how straightfo­rward the base game is, we actually advise introducin­g a few runes right from the first play, if you have three or four people at the table. It’s just more fun that way. However, if you’re playing with only two, we’d instead recommend you use what Walker-Harding terms the “Classic” variant, i.e. playing the original game. It just feels that little bit more dynamic as a duel. Either way, lovers of tilelaying won’t be disappoint­ed, as Fjords is beautifull­y elegant, satisfying and moreish. The Settlement phase is perhaps over a too quickly, rendering it a little afterthoug­htish, and even with Walker-Harding’s refinement­s, the game may feel a bit dated next to the likes of Cascadia or Calico. But these are minor niggles. It’s well worth picking up – if you can a-fjord it.

 ?? ??

Newspapers in English

Newspapers from United Kingdom