Tabletop Gaming

TRY THIS IF YOU LIKED

- Designer: Christophe Raimbault | Publisher

appear to limit the kinds of campaigns you run, the kicker is that Avallonis is never strictly defined. Depending on how the GM runs things and how events unfold over the course of a few months of gaming, it might be a term applied to friendly ports in England or Portugal. Or, it might refer to the entirely magical city of Avalon, or a magical alternate dimension.

This gives a huge amount of scope for the GM to run just the game they want. You could have one campaign see a group of desperate Templars battling through the Pyrenees, fighting off ruthless but otherwise mundane agents of the inquisitio­n, and then leap into another where the party are divinely-powered heroes who need to raid a dragon’s hoard to open a portal to an eternally-sunlit Avallonis.

As a matter of fact, an awful lot of Heirs to Heresy is left up to the GM to work out and decide on their own. Players who are already familiar with the stories about the holy knights and are keen to fill in their favourite theories will revel in this aspect of the game. If you’re a mere dabbler, however, all the blank spaces on the metaphoric­al map can feel like more of a burden than an opportunit­y.

Regardless of how you approach the backstory, the heart and soul of the game is provided by a snippy little ruleset that will feel fairly familiar to anyone who has played Dungeons &

or one of its imitators. Skill tests and other moments of risk are handled by rolling some dice – a pair of ten-sided dice added together, rather than the more traditiona­l twenty-sided die – and adding a couple of numbers representi­ng the character’s skills and stats.

Everything flows reasonably well, with combat getting a nicely detailed set of special actions and abilities that add a decent tactical element to proceeding­s. Thankfully, the designers have dispensed with the pedantic approach to armour calculatio­ns and proper gambeson usage found in some quasi-historical games, and made things much more exciting and user-friendly.

Indeed, the game operates on the core assumption that the Templar characters have a certain level of baseline badassery. The vast majority of enemies they face in the field of combat aren’t even treated as individual threats, and are instead grouped up into mobs of cannon fodder that the Templars can wade through like so much screaming, bleeding corn. Only important enemies, such as rival knights or named NPCs, even get the distinctio­n of even getting their own spot on the initiative tracker.

Is this level of butt-kicking historical­ly accurate? Of course not. But despite its medieval trappings, Heirs to Heresy never claims to offer that kind of experience. It’s set in the 14th century, but gleefully ignores any aspects of the time that would make the game less enjoyable. Sometimes this means drinking water from the village well without worrying about dysentery, and others it means shrugging off the prejudices of the time to have a party of Templars who better reflect modern sensibilit­ies.

Sadly, the rulebook itself is a little rough around the edges. There are a few striking errors here and there, some of the rules are confusingl­y written and – while this may sound petty – the absence of a useful index is surprising­ly irritating when you’re at the table.

Still, none of these are dealbreake­rs, and if you’re happy to fill in the details of your own Templarian conspiracy theories, Heirs to Heresy can be a great way to fill two or three months of medieval gaming.

RICHARD JANSENPARKES WE SAY A neat, narrow-focused RPG with an intoxicati­ng blend of the fantastica­l and historical.

Another slim little RPG from Osprey, also packed with plenty of magic and knights!

Star Clicker is a cooperativ­e tower defence game, inspired by the video games of the same genre, where players, as kid pilots, protect their home planet from the invading forces of alien Creepers. It is a little unclear why your parents have gone on a mission far away in space, leaving kids with no supervisio­n and in possession of spaceships and missiles. However, this is not a game where the narrative premise needs to be nit-picked: just jump into the cockpit, press a few buttons, and enjoy shooting some Creepers.

Pressing buttons is, in fact, one of the main elements of the gameplay. Each player has a pilot dashboard with buttons to move and shoot in four different directions. The actions on the buttons, however, are not visible, and players can only turn over and reveal two buttons per turn, only to hide them again at the end of the round.

So, if you can’t remember what this button does… well, just press it anyway and see what happens! You will end up learning where all

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