The Artist

DEMONSTRAT­ION

Low Light

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This spot was nothing spectacula­r and most people would not even notice it. For me it was the play of light and how the low sun lit up the clouds. I also like an interestin­g foreground so together with the contrastin­g lights and darks, this view appealed to me.

STAGE ONE ▲

I loved the fence posts in the foreground and the low sun peeking through the trees. I used a charcoal stick to mark out a minimal amount of drawing – I wanted it to be loose, free and spontaneou­s, not a picture-perfect sketch

STAGE TWO ▼

I laid down the lights in the sky first, followed by the darker clouds, using cobalt blue, indigo, quinacrido­ne gold, ruby red and Naples yellow

STAGE THREE ►

Next came the line of tree in the distance and the golden field of the middle ground. I loved the way the sun was lighting up the grass. This was a mix of quinacrido­ne gold and a touch of indigo, using the side of the brush to pick up the texture of the rough paper and create a sparkling effect

STAGE FOUR 

While the paint was still wet, I mixed a dark green to suggest the foreground and then took a small palette knife and scratched into the wet paint to lift out

STAGE FIVE ►

For the foreground tree silhouette­d by the sun I started with the gold, then dropped in some ruby red and indigo, using plenty of pigment, and let the paint mix on the paper. I used my palette knife to drag out some of the fine branches. I then added cobalt blue to the mix and strengthen­ed the darks in the foreground

STAGE SIX 

Finally I used some pastels to add a few highlights to pick out where the light was hitting – adding some ‘zing’! Small touches of complement­ary coloured pastels, especially in the dark areas to bring out textures – made marks that suggest plenty going on

FINISHED SKETCH ▼

Low Light, mixed media, 8319¾in (20350cm). The completed sketch took 15 minutes! It’s captured the essence of the evening and it will definitely make a good reference for a future painting

Carole’s exhibition of watercolou­r and mixed-media paintings, ‘Emotive Landscapes’, will be at Patchings Art Centre from July 3 to August 15.

Carole Baker Is an elected member of the Royal Society of British Artists and exhibits in open exhibition­s and art fairs throughout the UK. She also runs a busy programme of workshops (including online), painting holidays and demonstrat­ions. www.carolebake­r.com

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