WATERCOLOUR PAPER QUALITIES

The qualities I look for in a paper includes the following. l Strength: able to withstand all kinds of experimental effects including scratching, rubbing – for example with a sponge, masking – especially removing masking tape. l Consistency: I want the paper to behave reliably in its absorption of colour. Also for its own colour and texture. l Archival: All Hahnemühle papers are acid free, archival and conform to ISO16245. They have the highest class of durability and lightfastness, and will last for hundreds of years if kept in the right conditions. l Texture: must be random, a result of good quality felting both in CP and Rough. The HP must be silk-like, not shiny and have an almost skin-like quality. The tooth of the paper is very important as it enables brushwork to feel sensual and responsive when using natural-hair brushes (sable, squirrel, goat hair, etc). The Hahnemühle paper scores brilliantly on this point.

Overall impressions? Although I have sung the praises of Hahnemühle papers I have one criticism, if that is possible. Much to my amazement the HP 640gsm paper delaminated upon removal of the masking tape. I use Pro Dec, which is probably the most forgiving of the tapes. I was able to rectify the problem with little difficulty. In future I shall de-tack the tape a little and remove it with a hot hairdryer. I have thoroughly enjoyed experimenting with their papers and have absolutely no hesitation in recommending them.