The Artist

Top Tips for entering ART Competitio­ns

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Marine Costello is partner and head of communicat­ions at Parker Harris, one of the UK’s leading art consultanc­ies. Alongside the Parker Harris team, she oversees art prizes in the UK and internatio­nally, including the ING Discerning Eye Exhibition, the Trinity Buoy Wharf Drawing Prize, and the Derwent Art Prize. Marine sees artists use open opportunit­ies to further their careers every day, and knows the do’s and don’ts of entering art competitio­ns. Here she answers artists’ most frequently asked questions to help you navigate the world of open exhibition­s.

What is an art competitio­n?

Also called art opportunit­y, open call, open exhibition, art prize, etc., an art competitio­n is an invitation for artists to enter works for exhibition. There will be a dedicated submission and selection process, through which a panel of judges shortlist a set number of works. The shortliste­d works will then be shown in an exhibition – in person and/or online – and be eligible for awards ranging from cash prizes to mentoring, bursaries and residencie­s.

If you want to find open opportunit­ies this four-page guide lists many of the most popular. There are some fantastic listing sites on our own opportunit­ies portal www.artopps.co.uk or www.a-n.co.uk, www.artquest.org.uk, www.artjobs.com and www.artsthread.com

A best practice is to subscribe to their newsletter­s and regularly monitor what is upcoming.

Why enter an art competitio­n?

Whether or not you get shortliste­d, entering an art competitio­n gives you a creative prompt to work on, a deadline to organise your studio

practice, an opportunit­y to sort through your portfolio, and to update your artist bio and statement.

It also gives you a chance to get your work seen by the selectors, usually establishe­d artists, critics, curators, or collectors. This opportunit­y shouldn’t be taken lightly. Many of our previous selectors have discovered new artists through the selection process, going on to following them and working with them. You never know what might happen if you show someone your work.

If you do get selected for the exhibition, it gives you a platform to exhibit in prestigiou­s venues, reach new audiences, grow your confidence as an artist, raise your profile, receive recognitio­n, exhibit alongside artists you admire, network with your peers and win generous prizes.

How do I know which competitio­n to enter? The first, essential step in entering any art competitio­n, is to do your research! Here are a few questions you might want to consider when looking at a prize. 1) What is the brief? Is this opportunit­y dedicated to certain subjects, styles or media? Some open calls will have a very precise definition of the type of work accepted. For instance, the Royal Society of Portrait Painters’ annual exhibition welcomes portraits – paintings, of course, but also drawings and prints. The Derwent Art Prize accepts works in pencil – all pencils, including graphite, colour, pastel, in 2D or 3D, representi­ng all subjects. Others will leave more room for interpreta­tion. The Trinity Buoy Wharf Drawing Prize, for example, doesn’t limit the definition of ‘drawing’ to pencil on paper. The Prize doesn’t specify what media drawings are made in or what constitute­s a drawing.

Different prizes will have a different focus – just make sure you get to know about each prize before entering. This will help you decipher which opportunit­y is the right one for your work.

2) Who are the selectors? Are they experts in fields that pertain to your practice? Would you like them to consider your work?

3) What are the prizes? Some open calls will offer generous cash prizes, as well as residencie­s, mentoring or further exhibition opportunit­ies. Have a look at the awards on offer to make sure the prize is worth your while.

4) Is there an entry fee? If so, how much? Are there any other costs to consider? For example, framing, shipping your work, or travelling to the exhibition venue. Putting a few minutes into doing your research will save you a lot of time and energy!

What should I check before entering?

Before completing your entry, make sure you go through the competitio­n’s T&Cs.

Most open calls will have a size limit for the works exhibited. This can be anywhere from 20cm (the ING Discerning Eye exhibition, for example, is dedicated to small-scale works) to 2.4m (the Trinity Buoy Wharf Drawing Prize accepts drawings big and small). Make sure you check this before entering a work. It would be a shame to be disqualifi­ed on a technicali­ty. Another very important thing is to write down the competitio­n’s deadline. Make sure to write it in your calendar. Don’t leave it until the last day! This will only cause you stress. A lot of artists enter at the last minute. Most of them will be emailing the exhibition organisers with questions about logging in to the entry portal or submitting their work. This means if you enter at the last minute and you need to ask for assistance, you will not be the only one. I’d advise you to complete your entry form at least one week before the deadline. If you change your mind or need to clarify something, you can always come back and edit your submission­s at a later date. But completing your entries in advance will at least give you some peace of mind.

How can I make sure my work stands out?

Put yourself in the position of the selectors who will be looking at your work. They have to go through hundreds of images, so you’ll want to make sure yours stands out for the right reasons.

The first thing you can do to stand out is to take good quality images of your work. This may sound basic, but it is crucial. Make sure your work is well lit and it isn’t askew. Make sure your photo is focused on your work, and if need be, crop it to focus solely on your work. The judges don’t need to see your studio in the background!

If the applicatio­n requires any supporting informatio­n, make sure that you have provided a descriptio­n or statement. Avoid abstract or metaphysic­al art talk. Start with the basics – what is the work made of and what does it represent – then move on to what it conveys and stands for. Be concise and clear. The judges will thank you!

What happens if I’m selected?

If you are accepted for exhibition, then congratula­tions! Make the most of being included. The first step is to network. Utilise events like the private view to meet fellow artists, but also collectors, curators, art consultant­s, etc. Next, use your social media channels, newsletter and website to tell people that you’ve been included. Don’t wait for the exhibition to open to start posting about it: give your followers the date in advance so they can mark their calendars.

Best of luck with your entries!

 ?? ?? ▲
At the private view of last year’s Trinity Buoy Wharf Drawing Prize
▲ At the private view of last year’s Trinity Buoy Wharf Drawing Prize
 ?? ?? David Haines pictured in front of his work Dark Balloons, which won second prize at the Trinity Buoy Wharf Drawing Prize in 2021
David Haines pictured in front of his work Dark Balloons, which won second prize at the Trinity Buoy Wharf Drawing Prize in 2021

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