Having gathered together the above, decide on a route and a timescale – and set off

Walk for the set length of time.

Stop – don’t cheat – stay where you are. Have a good look in all directions. Notice what you are drawn to and consider why.

Given the random stopping point this is a very interesting part of the process. You might have thought you were not drawn to anything but find that you are. Sometimes it is the colour, sometimes tonal contrast – for me it is often barriers.

Use different viewfinders to explore the area of the view that attracts you and decide which ratio best frames it.

Move the selected viewfinder around to determine the boundaries. Consider compositional values and how the eye will move around the picture towards the focal point.

Draw round the viewfinder space in your sketchbook and mark the paper with corresponding ½ ,1⁄3 and ¼ points.

Hold up the viewfinder to establish the location of key lines, such as the horizon and centre point.

Look for the location of negative spaces as well as key elements, such as roof lines or trees.

Make a quick sketch based on this. The drawing does not have to be detailed as your photo will provide this. It does, however, need to reflect your compositional choices accurately.

Use your colour charts to make notes on colours seen. Pay particular attention to key colours around the focal point and areas of dark colour, as these are often poorly represented by photographs. Make a note of anything else you notice regarding colour and tone.

Take a couple of photos based on your chosen composition.

Pack your bag and set off for the next stopping point.