The Classic Motorcycle

Motorcycli­ng fashion ancl passion

With motorcycli­ng ever-more becoming a leisure activity for many, the real torchbeare­rs are the hardy, young commuters.

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agazines devoted to road-going motorcycle­s commonly feature classifica­tions like sports, street, learners, retros, scooters and so on. Those categories may then be sub-divided to clarify whether ' sports' means sports-tourers, superbikes or track bikes. It may also be explained that ' custom' bikes include both cruisers and specials made in factories or by individual­s, and that ' scooters' range from tiny twist and go jobs up to ton-up behemoths.

Then there are 'muscle' bikes with engines too powerful for their roadholdin­g, and ' adventure' bikes ranging from restyled 125s up to 100-horsepower monsters. And of course there are classics (seen by modern bikers as anything old and overpriced) and emerging classics (anything less old which owners hope will become overpriced!).

It's bewilderin­g, and I think it's also slightly depressing, because the emphasis on styles means many of the bikes are bought as fashion accessorie­s or investment­s rather than transport. The effort needed to keep cruisers pristine ensures that few cruise beyond the nearest bike night meeting, and I seldom see a tourer looking as if it is touring further than the local beach. Large adventure bikes logically rarely venture into terrain where a mishap would result in the need for a crane and an ambulance, while using a modern sports bike to the full would probably be foolhardy and certainly illegal. Scooters bought as cheaper alternativ­es to a car mostly stay in the garage once owners start pining for a heater, and classics are often more likely to be seen at shows than on the road.

In fact, despite all the choice, it seems that very few motorcycle­s see regular use apart from miniscoote­rs and learner bikes, mostly ridden by lads (and occasional­ly lasses) too young or hard- up to have a car. Despite this, many experience­d motorcycli­sts feel superior to them on their Chinese 125s, perhaps sedately practicing for their tests, or more frequently riding trail bike versions imagining they are crossing the Sahara or crouching over cafe-racer styled variants pretending to be Valentino Rossi. But actually legal and financial circumstan­ces have conspired to ensure these youngsters have become the true descendant­s of traditiona­l motorcycli­sts, riding their machines day in and day out, just like their grandparen­ts.

And we shouldn't despise the bikes themselves, either, even if we feel their pseudo-sports or make-believe off-road appearance is a bit ridiculous. After all, similar styling exercises were carried out on basic commuters by Ariel, BSAand all the other mainstream makers. And when we were teenagers, which of us didn't ride one of those and dream of the day we could emulate Sammy Miller, John Banks and other luminaries?

Admittedly, the reasons for restyling basic bikes were slightly different then. Present day small capacity jobs are legally limited in power and speed, so making them look more like competitio­n bikes is the best way to achieve volume sales. British manufactur­ers, on the other hand, didn't actually want to disrupt the assembly lines by producing great numbers of sporting variants, but found them invaluable as advertisem­ents.

Whatever we like to think now, our 'classic' bikes weren't made to very high standards - certainly most were not as well engineered as current Chinese tiddlers - so the 'Win on a Sunday, sell on a Monday' mantra made a lot of sense. Buyers might have had no intention of taking part in sport, but if the bike they saw in the showroom looked somewhat like an establishe­d winner they could be persuaded it was made to reasonable standards and had a modicum of street credibilit­y. Manufactur­ers religiousl­y followed the logic (which fortuitous­ly saved them a lot of developmen­t money!) and ensured the cooking G3 or Model 16 looked somewhat like Hugh Viney's SSDT machine, and even managed a vestige of family resemblanc­e between Joe Bloggs' ClS and Jeff Smith's Victor scrambler.

We might have chosen to further increase the illusion by inverting our B3l's handlebars to pretend it was a Gold Star, or fitting ape-hangers to become Peter Fonda lookalikes, but we weren't really very different from today's novices on their ready-made manufactur­ers' specials. And just as most of our generation switched to cars once they lost enthusiasm or became better off, I predict it will only take one cold winter or a decent pay rise for the majority of today's young riders to opt for comfort and respectabi­lity.

For the moment, though, they - not the weekend warriors - are the standard-bearers. Obviously, few of them will ever regard classics as anything other than curios, but for the future of motorcycli­ng in general let's hope a significan­t number come to regard the activity as an ongoing passion rather than a temporary • fashion statement.

--Many of our 'classics' weren't made to high standards, so the 'Win on Sunday, sell on Monday' mantra made sense."

ClassicMot­orcycle Mechanics, The ClassicMot­orcycle, Classic Bike Guide, Classic Racer,RealClassi­cC,lassic Dirt Bike,

Scootering, ClassicSco­oterist, Motorcycle Sport & Leisure.

SCRAPBOOSK­ERIES(Triumph, BSAand Norton), AVIATIONCL­ASSICS, THEENCYCLO­PAEDOIAF CLASSICMOT­ORCYCLEJSU,STROSSI,

ISLANDRACE­RJ,AGUAR.

 ??  ?? Roy Poynting has
been a regular contributo­r to The Classic Motorcycle since 1995 when he entered and won a writing competitio­n. A veteran of many
restoratio­ns, he continues to be an enthusiast­ic rider.
Roy Poynting has been a regular contributo­r to The Classic Motorcycle since 1995 when he entered and won a writing competitio­n. A veteran of many restoratio­ns, he continues to be an enthusiast­ic rider.

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