The Courier & Advertiser (Fife Edition)
The nation’s favourites:
Strong Courier Country connections for Scotland’s most loved books.
A rich Courier Country literary seam runs through a list of Scotland’s favourite books revealed by the BBC.
Sunset Song, the classic novel by Lewis Grassic Gibbon set in the Mearns was voted the nation’s favourite in the poll, conducted by BBC Scotland, in partnership with the Scottish Book Trust and the Scottish Library and Information Council.
The results were announced in a programme last night after voting took place during the summer.
Fife-born authors Iain Banks (The Wasp Factory) and Ian Rankin (Knots & Crosses) came second and eighth respectively.
The Thirty Nine Steps by Perth-born John Buchan was fourth and JK Rowling, who has an estate near Aberfeldy, saw her debut Harry Potter novel come sixth.
Published in 1932, Sunset Song is the first part of Lewis Grassic Gibbon’s trilogy A Scots Quair.
Championing it as her favourite novel in the programme was First Minister Nicola Sturgeon.
She said: “I first read Sunset Song when I was in my early teens so maybe 13 or 14. It resonated with me firstly because it is a wonderful story, beautifully written, but it also said something about the history of the country I grew up in and it resonated with me very strongly as a young Scottish woman and I think its themes are timeless to this day.”
Pauline Law, executive producer of arts, said: “The list of books spanned such an amazingly diverse and rich catalogue of terrific writing across generations of great Scottish writers.
“It was interesting to see that the top 10 included James Hogg’s Justified Sinner published in 1824 through to Muriel Spark’s ’30s-set The Prime of Miss Jean Brodie, which was actually published as a novel in the early ’60s, to the modern resonances of Ian Rankin’s Rebus in Knots & Crosses and the contemporary classic that is Irvine Welsh’s Trainspotting.
“Within the top 10, there are many great classics of Scottish literature and they range from crime writing to social commentary, from fantasy to gritty realism, and from the historical to the contemporary.”