The Courier & Advertiser (Fife Edition)

Shows and spectacles

A trip to Papua New Guinea is an eye-opening experience with dancing birds, wigs and pig bones.

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Catholics have crosses, Arabs cherish nazars, but in the Highlands of Papua New Guinea, villagers use sweet potatoes to ward off evil spirits. Wearing a pig’s lower jaw bone under his chin, a clay-smudged man is running through farmland with an unripened tuber dangling from his lips, clattering animal bones like claves and chasing “demons” through the banana plants.

Cassowary quills jiggling in their pierced septums, painted men roar with applause and perform a celebrator­y “sing-sing”, pausing only to erect rainbow-printed umbrellas when it starts to rain, for fear their painstakin­gly applied make-up might run.

Shows and spectacles are commonplac­e in this tribal nation, which forms the tail-end of a birdshaped island, gliding through the southwest Pacific and scurrying above Australia.

The Highlands, in the mountainou­s interior, are especially famous for their festivals; the Mount Hagen and Goroka shows, running in August and September respective­ly, are both worldclass affairs.

But year round, residents perform for travellers, even if their elaborate war paint and feather headdresse­s are packed carefully away at the end of each day.

And although much of Papua New Guinea’s well-worn tourist circuit is connected to the modern world, everyday cultural practices and thought processes are still a million miles from our own Western mind-set.

NEIGHBOURH­OOD QUARRELS

In place of lamp-posts, gravestone­s line the dusty roads of Tari, making me glance nervously at our driver as we swerve from one pothole to the next. “Don’t worry,” laughs my guide Paulus, a local Huli man who’s dressed for work in a tatty tweed suit and a bowler hat pinned with plumes. It’s an intentiona­l display so they can claim compensati­on.”

Sensing my confusion, he provides further explanatio­n: “We still have a lot of clan fighting here.”

“Over what?” I ask, now feeling mildly alarmed.

“Oh, nothing to do with foreigners,” he insists. “Mainly land, women and pigs – and always in that order.”

LEARN TO GROW YOUR OWN WIG

It’s true, many of the homes in Tari are built like mud castles, with gates locking the entrance and moats keeping enemies at bay. I’m granted access to one of those guarded premises when I visit the Huli Wig School, where “students” spend 18 months growing and preening their own hair to create the mushroom and moon-shaped wigs worn by men in ceremonies.

I’m told wigs can sell for around 800 kina (£190), but only if the strict rules of wig school are obeyed: no sexual relationsh­ips, no consumptio­n of hot food and certainly no pig meat.

Worst of all – the growers can’t wash their hair during cultivatio­n. Instead, they sprinkle groomed afros with water three times a day as part of a purificati­on ceremony, and use a comb to alleviate any itching.

LOOKING THE PART

Huli Wigmen, it appears, are extremely vain; looking good is just as much an obsession as defending their lawns.

It can take hours to gather the appropriat­e attire for a sing-sing; the standard uniform demands a cassowary thigh bone dagger, a hornbill’s beak and boar tusks slung across the back, and a pig’s tail around the waist – apparently a lure for ladies.

And then there are the feathers: fiery wisps from the Raggiana, long silky trails once belonging to the Ribbon-tailed Astrapia and sapphire plumes worn by the Blue bird-of-paradise.

Passed down through generation­s,

the delicate items are wrapped in newspapers and stored carefully, minimising the number of birds shot with catapults (hunting them with guns is forbidden) and leaving more to see.

A source of curiosity and adoration for ornitholog­ists, many of the 39 multicolou­red birds-of-paradise species can be found in this part of Papua New Guinea, and their behaviour is just as bizarre as the Highland’s human inhabitant­s. Birds flit between the thatched rondovals and landscaped lawns at Ambua Lodge, where I’m staying, but for better sightings, I’m taken to a forest trail further up the hill.

As shards of morning sunlight splinter through branches, the unmistakab­le call of a Brown Sicklebill ricochets around us like machine gun fire. Overhead, we spot the trailing, quilllike eyebrows of the King of Saxony, who waves his appendages proudly in a flamboyant courtship dance.

FINDING BIRDS AND PARADISE

My search for birds continues in Mount Hagen, 140km east. Establishe­d by Australian entreprene­ur Bob Bates (who also owns Ambua), Rondon Ridge is one of the most luxurious lodges in the country; mezzanine loft-style apartments are at eye level with the clouds and views sweep across the Wahgi Valley.

At 5.30am, I join Joseph, my hawkeyed and bat-eared guide, for a torch-lit trek into the forest, hoping to catch birds performing their daybreak displays. The son of a hunter, Joseph grew up listening to bird calls and can identify species immediatel­y.

As darkness lifts, whispers of mist occupy its space, and in a place crowded by centuries of wild and untamed growth, it’s impossible to determine where foliage ends and the earth begins.

Today, unfortunat­ely, our birds are shy – unlike a local community close to Rondon, who invite us to watch the re-enactment of a funeral ceremony, involving fire lighting, hair-pulling (an expression of sadness) and climbing trees to retrieve gifts for grievers.

Even more macabre is a performanc­e by the mudmen, who emerge from bushes wearing loin cloths and 8kg clay masks, and claw at stunned spectators with long bamboo talons.

GOING WILD IN THE CITY

A return to vague reality only comes when I land in Port Moresby, Papua New Guinea’s capital and the main port of internatio­nal entry. Electric fences have replaced flower beds in a city famous for its “thieving rascals”, but I never once feel threatened during my stay.

And any urban developmen­t hasn’t been at the expense of the environmen­t; I’m treated to a firework of tail feathers from the Raggiana bird in Varirata National Park (an hour’s drive outside town) and in the Pacific Adventist University grounds, I encounter the Papuan Frogmouth – a bird with amphibian features, which looks even weirder than it sounds.

It’s also here, amidst students rushing between lectures, that I finally have a chance to witness a bowerbird tending its bower – two perfect columns of twigs erected in a pristine arena with sprigs of elderflowe­r dangling like chandelier­s – a veritable palace for a potential avian princess.

From the forest floor, to treetops and remote village farmlands, it’s always showtime in Papua New Guinea. And regardless of whether the feathers are bonafide or borrowed, the performers never fail to entertain.

Reef And Rainforest Tours (reefandrai­nforest.co.uk; 01803 866 965) offers a 13-day Tour of Papua New Guinea, which includes stays at Ambua Lodge, Rondon Ridge, Kumul Lodge and Port Moresby from £5,975 per person, including internatio­nal flights via Singapore.

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 ?? Pictures: PA. ?? Clockwise from left-hand page: a Huli wigman in his face paint; a bowerbird in his bower; a majestic ribbon-tailed astropia bird of paradise; mudmen performing a dance; Huli wigmen preparing for a sing-sing; Ambua Lodge in Tari.
Pictures: PA. Clockwise from left-hand page: a Huli wigman in his face paint; a bowerbird in his bower; a majestic ribbon-tailed astropia bird of paradise; mudmen performing a dance; Huli wigmen preparing for a sing-sing; Ambua Lodge in Tari.
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