The Courier & Advertiser (Fife Edition)

Film reviews:

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- TJ MCKAY

Time waits for no man except for Bruce Springstee­n.

The New Jersey-born rocker, affectiona­tely nicknamed “The Boss”, recently turned 70 but he’s refusing – politely – to slow down as he canters through a creatively rich period of his musical career, which stretches back to the mid-1960s.

In 2016, he bared his soul and exorcised demons in the autobiogra­phy Born To Run.

The best-selling hardback sowed the seeds of a concert residency in New York entitled Springstee­n On Broadway. The two-hour show without intermissi­on was booked for an eight-week run at the 975-seat Walter Kerr Theatre.

Critics swooned and ticket scalpers profited handsomely as the limited engagement extended three times to 236 sold-out performanc­es – a Herculean effort recognised with a special honour at the 2018 Tony Awards.

In June this year, Springstee­n released his 19th studio album Western Stars, a tribute to the rugged landscape of Southern California and the music of Burt Bacharach and Jimmy Webb, written in the voice of a world-weary Western movie star reminiscin­g in his twilight years.

The LP’s 13 tracks provide a contemplat­ive, flowing narrative for this concert film co-directed by Springstee­n and long-time friend Thom Zimny, which was shot in the heat of summer in a 19th Century barn on his horse farm in Colts Neck, New Jersey. Sweat glistens on Springstee­n’s arms as he plays the album, accompanie­d by a 30-piece orchestra.

Each song is introduced by a tone poem penned by Springstee­n that burrows into the meaning of the lyrics.

“The older you get, the heavier that baggage becomes that you haven’t sorted through,” he philosophi­ses.

Melodic meditation­s on the fragility of human relationsh­ips (“You don’t know how to hold onto love but you know how to hold onto hurt”) are enriched with images of Springstee­n in Joshua Tree National Park or old Super 8 footage including home movie from the 1950s and an extended clip of Springstee­n and wife Patti Scialfa’s 1988 honeymoon.

Acoustics in the barn are breathtaki­ng as nine cameras capture unguarded moments between performers, unspoken understand­ing registered with a nod or shared glance as a chorus soars to the wooden rafters.

What emerges from the film is a politicall­y conscious and unabashedl­y romantic showman, who continues to take each day as it comes.

“You walk on through the dark because that’s where the next morning is,” he counsels.

In Western Stars, we mosey alongside him in exultation.

★★★★★★★★★☆

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 ??  ?? The Boss, Bruce Springstee­n shines in this new spotlight on his musical talent.
The Boss, Bruce Springstee­n shines in this new spotlight on his musical talent.

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