POWERFUL SCOTS TALE

Ahead of its UK cinema release, Michael Alexander speaks to the Chicago-based producers behind The Road Dance, a period drama based on the bestselling novel by Scots journalist John MacKay

2022-05-14 -

It’s 20 years since STV news presenter turned author John MacKay saw his acclaimed debut novel The Road Dance become a bestseller in his native Scotland. Set on the Isle of Lewis, where he has family and spent idyllic childhood summers, it’s a profound and powerful coming-of-age story set against the backdrop of the First World War. Two decades after being published, the story is finally hitting the big screen. At its Edinburgh International Film Festival world premiere last August, it

fought off nearly 200 film and documentary submissions to win the coveted Audience Award, voted for by the viewing public.

Now, in an exclusive interview ahead of its cinematic release in the UK and Ireland on May 20, the film’s American producer Jim Kreutzer has spoken to The Courier about the opportunist phone call that led to the movie.

He also reveals that, following this project and his production of the 2016 Bafta Best Picture feature film Tommy’s Honour, which was set in 19th-Century St Andrews, he now regards Scotland as his “second home”.

“During the five-year build-up for Tommy’s Honour, I knew how much I enjoyed making a film in Scotland, and winning a Bafta for that was a big honour for me,” says Jim, who runs Chicago–based Sheridan Road Productions with his partner Maryilene Blondell.

“It created a situation where, instead of me calling people to make projects and ask for financing, people began calling me.

“But I chose not to make films in the States – I enjoyed the smallness and the fact people seemed to like each other in the UK.

“That’s not me saying people don’t like each other in the USA, but there’s a great deal of competition. By contrast, the agents from London and Edinburgh all spoke very highly of each other rather than trying to be cut-throat.”

Jim decided he wanted to put the Tommy’s Honour team back together.

First, however, he needed to find another “Scottish project” that preferably didn’t involve golf.

As he searched, he came up with a couple of potential dramas, which didn’t lead anywhere.

Then, one day, he came across The Road Dance by John MacKay on a website about Scottish novels.

“I bought the book online, read it, liked it and much as I did with Kevin Cook and Tommy’s Honour, I cold-called John MacKay,” he says.

“I had no idea who John was at the time, that he was a newsreader on STV.

“I said: ‘Listen, I’m a two-person operation here in the USA. I don’t option projects just for the sake of optioning projects. When I option, I make the movie and get it done.’

“John, being the gentleman that he has

been all the way throughout this, said: ‘Sure I believe you,’ and came on board.”

Jim laughs when he discovered the “bonus” of John telling him he’d already written a script!

Describing him as “very much a gentleman” and “very humble” throughout the process, Jim said John didn’t ask for much other than for his son to play the bagpipes in the movie.

When Jim and Maryilene sat down with John to work through the original script, however, it quickly became apparent that changes would have to be made for any film to succeed.

“The book itself is very dark – much darker than The Road Dance movie,” explains Jim.

“Maryilene and I sent the book on to a publicist in London we worked with on Tommy. We sent the book on to Bob Last who was our producer on Tommy, and we had some opinions from these different people.

“Everyone said: ‘Look, this is just too dark; you can’t make this movie and expect anybody to come out of here without feeling it’s time to go home and jump off a cliff,’ figuratively speaking.

“So we began our task for the next two or three years of finding our direction for the script and, literally, we had 20-plus versions of the script by four or five different writers.

“John, again being very gracious because it was his book and his script, said: ‘Jim, I understand what you are trying to do here and I don’t know if I am the one – because I’m too close to this project – to write the script.’ He graciously stepped aside.”

Taking advantage of a promotional trip to

the UK for Tommy’s Honour, Jim, a friend and an assistant embarked upon a familiarisation trip to the Isle of Lewis. There, they met John, who gave them a tour of his ancestral village, adding to Jim’s determination that the project should succeed.

After going through the lengthy process of finding writers – and with the support of Uinta Productions, who’d also worked on Tommy’s Honour – the production team found their man in the form of awardwinning writer Richie Adams, who also went on to direct the film.

With a script that “walked a very thin line” between entertainment and telling a true story of infanticide, Jim suggests that Richie, as a male and someone who’d never been to Scotland, should not have been able to write it.

He “got the story”, however. After working closely with Maryilene, who added a vitally important “woman’s perspective” to the screenplay, they settled on the final version.

“It was the story about the death of a baby,” says Jim, “and when you are dealing with a subject such as infanticide, it’s a very touchy subject and you have to be careful how you handle it.

“You cannot offend the audience into disliking the heroine, which was the mother.

“We walked a very thin line between telling the true story – it was based on true events – yet at the same time making it entertaining and not so terribly dark and depressing that no one would want to see it.

“We balanced that for a while and eventually, with Richie’s help, we got through to the final version.

“Richie threw his hat into the ring to direct it and we chose him.”

Filming took place on the Isle of Lewis during October and November 2020 at the height of the Covid-19 restrictions – and amid all weathers!

Maryilene, who understood the familycentric “smallness” of Scotland through her parents’ roots on the Isle of Bute, worked hard behind the scenes to convince the people of Lewis that they were serious about the project and keeping islanders safe.

Everyone followed the rules and regulations and, despite one false positive, they did not have a single Covid-19 case.

John’s family actually grew up in the remote blackhouse village of Gearrannan that they shot in. The project was a combination of John’s imagination and Richie’s interpretation of John’s imagination.

But the more Jim reflects on the finished movie, the more he understands how important it was to have a “female touch” from fellow producer Maryilene and director of photography Petra Korner. The female-led plot handles female abuse issues comparable with today’s #MeToo movement, even though the film was in motion long before the movement began.

“The female touch was crucial,” confirms Jim. “There’s a scene that involves the violation of a woman and a terrible incident and her reaction to it. There’s no way a man can ever understand that.

“John MacKay is as sensitive a man as I can imagine who wrote the story. But even he can’t bring a female perspective to the story. Maryilene was able to do that, so it was crucial that she was able to add a great deal to the project while she was there.”

Driven by the strength of the characters that make up the story, the choice of actors was also crucial, aided by Colin

Jones, who was also the casting director for Tommy’s Honour.

English actress Hermione Corfield, who played Tallissan Lintra in Star Wars: Episode VIII — The Last Jedi, plays the lead role of Kirsty Macleod. The character dreams of a better life away from the isolation that suffocates her in her small village on her island.

Suppressing these aspirations is her lover Murdo Macaulay, played by The Lord of the Rings: The Rings of Power actor Will Fletcher. In the film, he is conscripted for service in the First World War, soon to set off and fight alongside the other young men from the village.

A road dance is held in their honour the evening before they depart, and it’s on this fateful evening that Kirsty’s life takes a dramatic and tragic turn.

Writer and director Richie Adams says that after being presented with John MacKay’s novel, what intrigued him most against the reality of war-torn 1916 was the “innocence” of characters on a remote Scottish island.

He was fascinated by the idyllic yet spartan life they led, the harsh seaside environment with its thick-walled stone habitations that deflected wind and cold, and of course the first love shared by Kirsty and Murdo.

“I was captivated by the excitement and escape they found in stories and poetry,” he says.

“They dream of a better life, perhaps in a place called America – not suspecting the vile act that would come and tear Kirsty’s world apart.”

As a writer, his first job was to translate the rich story and characters John MacKay created in his novel into film.

But for him, directing is when those characters truly come to life, meeting the actors who will breathe life into each role, and them educating him on back stories they’ve created, informing every decision they’ll make throughout the story.

“I fondly recall my conversation with Hermione Corfield, the actress who would become Kirsty,” he adds.

“She said: ‘I think Kirsty keeps what happened to her a secret from those she loves, not out of shame but more to prevent them from carrying the burden that she has to – which is what makes her such a strong character.’

“I knew then we were in good hands.

“I was further blown away by the rest of the cast assembled by Colin Jones – veterans

like Mark Gatiss and Morven Christie, and newcomers such as Will Fletcher, who plays Murdo, and who I daresay will amaze people when they learn this is his first film.”

Richie says another character that will “truly mesmerise” audiences is the Isle of Lewis itself.

“My jaw dropped when I got off the plane and finally arrived at the humble blackhouse village that would be the film’s setting, juxtaposed against the Atlantic Ocean where it collides with the jagged coastline of the Outer Hebrides,” he recalls.

From the rise of streaming services to the impact of Covid-19, it’s been a challenging time for the cinema industry, and Jim Kreutzer is in no doubt that The Road Dance has an “uphill climb” at the box office.

They would never try to compete with the blockbuster franchise movies, and he thinks Parkland Pictures’ expectations for this film are “very realistic”.

On the other hand, he thinks this “little gem of a film” will attract a certain age of population who will appreciate it as a beautifully shot “nice escape” with a nice ending.

“Without giving a spoiler alert, there was a discussion at the end of this project on whether we wanted to end this on a sad note with everyone wiped out, dead,” says Jim.

“We chose the route we did because we felt the world is in a really rough place now and we wanted people to suspend their belief and just come out of there feeling better than when they went in.”

MY JAW DROPPED WHEN I GOT OFF THE PLANE AND ARRIVED AT THE HUMBLE BLACKHOUSE VILLAGE, JUXTAPOSED AGAINST THE ATLANTIC OCEAN

The Road Dance is released in UK and Ireland cinemas by Parkland Pictures on May 20.

How do you feel about taking on the role of rector?

A I suppose I have a mix of three emotions – pride, surprise and happiness.

Q What are you most looking forward to about the role?

A I am looking forward to being involved again with a city that has played such a major part in shaping the course of my life. (Keith first joined the university as a zoology student in 1970 and went on to serve as president of Dundee University Students’ Association).

Q Your thoughts on Dundee as a city?

A The city itself is barely recognisable, from Dundee of 1970, which really felt like a city in decline, with its major industry (jute) losing relevance.

Q Tell us a wee bit about your amazing music career?

A My music career has been a very enjoyable. It has offered me the opportunity to travel the world, and to work with many incredibly talented people. I think that I just happened to get into it at a very good time to span several different music movements, from rock to disco, to new wave to soul, and because I have a very wide musical taste, I was very interested and excited by all of it.

What was it like working with Stevie Wonder?

A Working with Stevie has been amazing. We are very close in age, and in spite of our very different backgrounds we have a very similar outlook on life. Over the more than 40 years we have worked together we have become very close and have experienced many exceptional moments.

Q What were some other major highlights?

A There have been several things I would not have thought possible when I started out – working with Paul McCartney and Michael Jackson, being heavily involved in the campaign to get Martin Luther King’s birthday declared a national holiday in the United States, and doing a gig inside Buckingham Palace stick out in the memory.

Q Where in the world are you happiest?

A At home.

Favourite part of Scotland to explore?

A My wife’s family have a strong connection to the island of Iona, and I enjoy spending time there.

Q Who inspires you? A I found Barrack Obama very inspiring.

Q Your house is on fire – what one item do you save?

A My wife obviously!

Q First thing you’d do if you won £1 million? A Probably call my kids and say, “look I just won a million quid, what do you think I should do with it?”

Q If you could rule for a day, what would be the first thing that you would do?

A If I could rule the world, with the ability to do anything (because let’s face it, one day is not long enough), I would look to make sure that food and wealth were more evenly distributed.

Q Favourite holiday destination?

A The Gambia.

Q What was the first album you ever bought? A Probably Please Please Me by the Beatles, but I can’t be sure, it was a very long time ago!

What do you do to unwind?

A I ride my bike.

What makes you happy?

A Seeing other people happy.

A That many of us don’t realise how lucky we are to have what we do.

What makes you sad?

A Not learning to play guitar better.

Biggest regret? Do you believe in love at first sight?

A Not really.