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The Critic
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2020-12-01
No one guilty at the BBC
Europe’s Eastern faultline
WISEMAN’S AMERICA
Making history
The post-Covid city
Marxist sleepers awaken
Lessons for Biden
Melanie McDonagh: The Irish Cookbook by J.P. McMahon; My Wild Atlantic Kitchen by Maura O’Connell Foley
John Self: Piranesi by Susanna Clarke; Mr Wilder & Me by Jonathan Coe; Käsebier Takes Berlin by Gabriele Tergit
A letter to Jesus
The lessons of Bosnia
Defender of the faith
Memoirs of a microaggressor
You don’t need to know
The Churchill genocide myth
The last conservative PM
Sounding Board
Economics
David Starkey
Lisa Hilton: The Seven Ages of Man: How to Live a Meaningful Life by James Innes-Smith
Julie Bindel: My First Little Book of Intersectional Activism by Titania McGrath
Douglas Carswell: Idi Amin: The Story of Africa’s Icon of Evil by Mark Leopold
“Real” authors vs. celebrities
Arty Types
Jonathan Meades
Romeo Coates
Andrew Roberts: George III: Majesty and Madness by Jeremy Black
David Womersley: The Story of Wine: From Noah to Now by Hugh Johnson
Henry Jeffreys: Hungry by Grace Dent
Paul Levy: Dirt: Adventures in French Cooking by Bill Buford
Matthew Adams: Vesper Flights by Helen Macdonald
Christopher Bray: Eight new books on rock and pop music
Eating Out
Christopher Silvester
Adam LeBor
Eating In
Robert Fisk
Sol y Sombra
Country Notes
Running Repairs
Tickets, Please
Root and Branch
IN PRAISE OF LOCKDOWN
ANCIENT UNIVERSITIES
HEART OF ENGLAND
EVERYDAY LIES WITH THEODORE DALRYMPLE
Piers and the gospel of gammon
The paradox of Nazi culture
Freedom and solitude
Fishermen’s tails
“Between you and me…”
The Russians aren’t coming
Do not go gently
Tunes of glory
Stars, stripes and dollars
Carving out a new genre
The Bells of Whitechapel by Adam Dant
English
United Kingdom
Art
Music
The Critic - 2020-10-01
The Critic - 2021-01-01