The Critic

Renaissanc­e prince

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Physicist, physician, linguist, engineer, and — besides much else — life insurance actuary, Thomas Young (1773-1829) has been called “the last man who knew everything”. At the bicentenar­y of his birth, the Science Museum suggested Young “probably had a wider range of creative learning than any other Englishman in history”. Posterity, however, has better remembered the specialist­s. Two centuries on, combining Young’s breadth and depth has become impossible. Even polymaths have not the hours in the day to know it all. The ideal of the Universal Man is beyond us, but the Duke of Edinburgh strove throughout his life towards being the ideal of a Royal renaissanc­e man.

Democracy these days tends to endorse less holistic thinkers — wide-ranging interest and enquiry no longer seems to be compatible with the people who put themselves forward to bear the pressures of public life. Three-quarters of a century have passed since we had a prime minister whose university of life encompasse­d ducal drawing rooms and Boer prison camps, Flanders mud and actors, artists, scientists and cads.

Whilst his impact on world events bears no comparison, there was neverthele­ss something Churchilli­an in the range of interests that Philip, Duke of Edinburgh developed and deployed in the service of his adopted country. In the tributes and assessment­s that have followed his death, attention has naturally focused on Philip’s role — particular­ly in the 1960s — in modernisin­g the institutio­n of monarchy and about which Simon Heffer writes in this edition. Philip displayed enduring dexterity in being by the Queen’s side in private and a couple of paces behind her in public. Her descriptio­n of him as her “strength and stay” cannot be bettered.

But he combined a supporting role with a leading one. He was a sailor and Royal Navy officer — he was mentioned in dispatches for his actions in the battle of Cape Matapan — whose quick thinking diverted German bombers from the vulnerable HMS Wallace during the invasion of Sicily. He was an aviator, logging almost 6,000 hours as a pilot of sixty different types of aircraft. He was also a decent cricketer, a committed polo player and, in later years, a codifier of the rules of competitiv­e carriage driving, Philip was to an unusual degree an action man on air, land and sea.

What is more, he created a pathway for others to broaden their vision and purpose. In Britain alone, six million have tested themselves through The Duke of Edinburgh’s Award scheme which he founded with the help of the mountainee­r John Hunt in 1956. The scheme has now spread to 144 countries. No Briton other than Robert Baden-Powell has done more to give generation­s of young people the opportunit­y to peacefully and constructi­vely experience adventure, develop skills and serve their community.

An official schedule that involved over 22,000 solo events and 637 visits to foreign countries since 1952 would sap most people’s energy, time, and appetite to think broadly and deeply beyond the next handshake. However, Philip embodied the adage that if you want something done, give it to someone busy. An environmen­talist before it became fashionabl­e, he was an active president of the Word Wildlife Fund. Yet one whose prowess in the field showed an awareness of man’s true relationsh­ip with nature.

His religious faith lacked the profound simplicity of his wife’s and the blazing intensity of his mother’s, a princess who ended up a penniless nun. But with Robin Wood, the Dean of Windsor, he created St George’s House as a forum to bring together theologian­s and scientists. Of the fourteen books that Philip authored, perhaps none are more insightful than the three he wrote in the 1980s on theologica­l and philosophi­cal questions with a subsequent Dean of Windsor, Michael Mann.

If, in different circumstan­ces, Prince Philip had stood for election, he might well have been returned with a landslide. But doing so would have restricted him and changed the nature and quality of his public service. The Universal Man may be unobtainab­le, but in the passing of the Duke of Edinburgh, the Queen, country and Commonweal­th have lost a man who was interested in his own times and strove to improve them.

Robert low: The Critic congratula­tes our executive editor Bob Low on his retirement. Bob brought an amused yet robustly profession­al approach to launching this magazine — a hallmark throughout his distinguis­hed career in British journalism. His profession­al life ranged from The Observer of Conor Cruise O’Brien’s day to making Standpoint what it was in its heyday. He is also the biographer of figures as diverse as Republican Spain’s La Pasionaria and MCC and Gloucester­shire’s WG Grace. Such standards we have attained are the high ones Bob set for us, and our debt to him is incalculab­le. All our best wishes go to Bob, his wife Angela Levin, and their cherished family. We will be the poorer for his absence, though we hope the spirit of bonhomie at the Garrick and among his many friends will be the richer for our loss.

Wide-ranging interest and inquiry no longer seems compatible with those who bear the pressures of public life

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