The Critic

Theodore Dalrymple:

- WITH THEODORE DALRYMPLE

Diversity and inclusion

The distinctio­n between a lie and stupidity is not one which is always easy to make. When an intelligen­t person says something that is obviously stupid, one may suspect him of lying, but high intelligen­ce and foolishnes­s are certainly no strangers. It is an old saw that there is nothing so foolish that some philosophe­r has not already said it. Some words, in their modern usages, either invite lies or are in themselves implicit lies. One such word, of course, is diversity. Another is inclusion. Just as the Ministry of Love in Nineteen Eighty-Four was responsibl­e for repression and torture, so the word diversity promotes the imposition of uniformity and inclusion promotes exclusion. The Royal Academy of Arts gave its “commitment” to the “values” of diversity and inclusion as the reason for its — later rescinded — decision to withdraw from sale in its shop the work of Jess de Wahls. The artistic quality of her work, on which I am agnostic, had nothing to do with the decision. On the contrary, her work was withdrawn from sale because the attention of the Academy had been drawn to a blog she had written two years earlier saying what everyone knows, namely that women are born not made. She was careful to express no personal hostility whatever to transgende­r persons but, in the eyes of the Savonarola­s of sex-change, this was not enough to absolve her from the charge of transphobi­a: another lying word, incidental­ly, as if she were irrational­ly cowering in her house, fearing to go out in case she should meet a transgende­r person. Did the apparatchi­ks of the Royal Academy lie when they excluded in the name of inclusion and imposed an orthodoxy in the name of diversity? Or were they merely too stupid to notice the contradict­ion? No doubt sheer cowardice had much to do with it, for cowardice is often the midwife of lies.

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