The Daily Telegraph - Saturday - Review

From Africa, a jumble of grit and gold

EGOLI

- By Neil McCormick

Africa Express Africa Express Records

Egoli is a local name for Johannesbu­rg in the Xhosa language, literally translated as “city of gold”. While there is musical gold to be found in this fascinatin­g album, listeners may have to dig and sift for it.

Initiated in 2006, Africa Express is a project that facilitate­s collaborat­ions between African and Western musicians, spotlighti­ng talent that might otherwise struggle to be heard. It has been driven with joyous curiosity and refreshing lack of ego by Blur’s Damon Albarn.

One of the most adventurou­s figures in modern music, Albarn takes a back seat here, contributi­ng the odd vocal chant but otherwise playing as part of an ensemble.

Yet one can discern his eclectic pop tastes in this madly diverse afro-futurist collection that draws on South Africa’s electronic scene, essentiall­y bending Western pop styles into surprising new shapes.

Albarn and his key collaborat­ors (including American art-rock guitarist Nick Zinner) travelled to Johannesbu­rg last year to record the album in just seven days with a huge array of local talent, from inventive electro producer Muzi to traditiona­l mbaqanga harmony singers the Mahotella Queens.

Multi-artist jams are often more fun to participat­e in than to listen to. Across a baggy 18 tracks, Egoli maintains a sense of purpose, but only comes into sharp focus when a particular artist grabs the reins. Super Furry Animals singer-songwriter Gruff Rhys lends songcraft and melodious melancholy to gorgeous lullaby Absolutely Everything Is Pointing Towards the Light, surely the world’s first WelshXhosa duet (with the soulful Zolani Mahola). UK rapper Ghetts brings radio-friendly swagger to No Games, performing with South African singer Moonchild Sanelly, whose eccentrici­ty (particular­ly on the ear-burning Sizi Freaks) helps make her the breakout star of this collection.

In this interconne­cted age, it is astonishin­g that Africa (with a population of more than a billion) has yet to produce a truly global pop superstar. Egoli has enough going on to suggest the future is golden.

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