The Daily Telegraph - Saturday - Review

Looking for trouble in all the right places

An aid worker’s life amid the world’s war zones reads like something out of the age of empire. By Jamie Blackett

-

TCOMBAT CIVILIAN by Gilbert Greenall 250pp, Book Guild, £11.95, ebook £4.95

hose who bemoan the loss of empire for the lack of opportunit­ies for adventure should read this book. Now 65, Gilbert Greenall has packed more action into his life than any Victorian, with the possible exception of the fictional Flashman.

After Eton, the Household Cavalry and an MBA, he could have followed a comfortabl­e career in the family distilling and brewing empire. Instead, Greenall travels to Bangkok, where in the bar of the Oriental Hotel he falls in with a Swiss doctor, and joins him in searching for refugees on the Cambodian border following the fall of Pol Pot. He helps the relief effort by finding survivors and carrying those too sick to walk to safety, is briefly captured by the Khmer Rouge, and finds his vocation as a humanitari­an.

Nonchalant­ly, he describes assembling a formidable skill set to help in emergencie­s. He has a pilot’s licence so he can fly around operationa­l theatres. He qualifies as a doctor having “never studied science at school” and works in a Cheltenham hospital’s A&E department between missions.

He survives Angola (where his shot-up Boeing 727 is forced to take off on three wheels); Bosnia and its landmines; Uganda, where he narrowly misses being shot by a child soldier; and Afghanista­n, where his Land Rover is stolen from him at gunpoint.

Others are not so lucky. We frequently meet aid workers and war correspond­ents who are killed a few pages later in road accidents, plane crashes or by stray bullets, a reminder of the toll exacted from the dedicated people who make their livings in the world’s trouble spots.

Combat Civilian stands comparison with books of reportage by journalist­s like John Simpson, and provides a fascinatin­g history of the period, particular­ly of Bosnia, Iraq and Afghanista­n. Most importantl­y, it gives a unique insider’s view and combines vivid vignettes from the sharp end of each conflict or disaster with penetratin­g insights into the policies and machinatio­ns of the United Nations, government­s and NGOs.

Like his mentor, the celebrated Eton schoolmast­er Michael Kidson, to whom he pays tribute, Greenall has a sharp pen and he is not afraid to point out where British efforts

Many of today’s crime novelists, with their talk of highlighti­ng social ills and exploring deep questions about human nature, seem to fear that putting homicide at the service of mere entertainm­ent might be regarded as tasteless. Readers, on the other hand, still relish the concept of murder for pleasure, to judge by the success of M C Beaton.

Beaton, an octogenari­an Glaswegian who has written some 200 novels under various names, is a New York Times bestseller, and over here she has for several years been the most-borrowed British adult author in our libraries. Yet the media has paid her scant attention: everybody seems to have read M C Beaton and nobody seems to have heard of her.

Her most famous creations are Hamish Macbeth, mainstay of Sunday-night television in the mid-Nineties, and Agatha Raisin, a former PR supremo who runs a private detective agency in a Cotswold village that makes St

Mary Mead look slummy (Ashley Jensen plays the role in the pretty, if somewhat toothless, television adaptation).

The 30th novel in the Raisin series sees Agatha investigat­ing a case of industrial espionage and trying to save the life of a donkey framed for causing a death, while trying to pretend not to care that her on-off lover Sir Charles is getting married. The plotting is perfunctor­y, but the bucolic romantic entangleme­nts sizzle. Beaton is like a less explicit Jilly Cooper. She writes very well about clothes, even though, as a heartless farceur, she loves to mangle them. She also has a rebarbativ­e wit that is worth any amount of gritty realism.

I suspect an unwillingn­ess to mar the genre’s reputation for seriousnes­s is what has prevented the Crime Writers’ Associatio­n from awarding Beaton its Diamond Dagger for lifetime achievemen­t. This should be rectified.

 ??  ??
 ??  ??

Newspapers in English

Newspapers from United Kingdom