The Daily Telegraph - Saturday - Review

Back to the future – the rise of paganism

With Anglicanis­m down and environmen­tal anxiety up, no wonder Mother Nature is seen as a deity again

- By Peter STANFORD QUEENS OF THE WILD by Ronald Hutton

256pp, Yale, T £16.99 (0844 871 1514), RRP £18.99 ÌÌÌÌÌ

We are, arguably, poised on the edge of a pagan revival. With mainstream Christiani­ty suffering a decline – Anglicanis­m’s bestknown priest, the Rev Richard Coles, warned over Easter that the rural parish system is at risk of collapsing – as anxiety about climate change and the state of the planet escalates, those who are spirituall­y engaged but denominati­onally disincline­d are being pushed into personifyi­ng nature once more as something of a deity.

But perhaps revival is not the right word since, as historian Ronald Hutton chronicles, despite the best efforts of Christiani­ty over 20 centuries, Europe’s pagan traditions never seem to have been stamped out. Instead, parts of them have been with us all along, as he demonstrat­es in his sprightly – and spritely – account of four female figures: Mother Earth; the Fairy Queen; the Lady of the Night; and the Cailleach of the Gaelic tradition.

In its first millennium, expanding Christiani­ty operated a successful policy of subsuming many of the beliefs of the “old religion”. Shrines to water deities were rebranded as holy wells, and attributed to saints, while yew-lined sacred groves became the graveyards around churches. Yet through to medieval times and beyond, especially in rural areas, pagan beliefs continued to hold sway, even over those who turned up to church on Sundays.

Mother Earth, encapsulat­ing the unpredicta­ble power of nature, can be found even in leading Church theologian­s. Augustine of Hippo, in the early 5th century, certainly not renowned as an advocate of women’s empowermen­t, characteri­sed her as Natura, appointed by God to teach humankind about earth’s bounty. (I’m struggling to imagine what the old grump would make of Natura now being repurposed in the branding of 21st-century planetfrie­ndly health and beauty shops.)

This Mother Earth – not at odds with Christiani­ty, but an adjunct to the creator God in his heaven – also made her way into medieval literature, such as Geoffrey Chaucer’s 14th-century poem “The Parliament of Fowls”, where she is enthroned in a palace of green boughs, presiding over birds each spring as they choose their mates.

By contrast, Lady of the Night became, especially in Germany, the focus of a rival belief system to Christiani­ty. Around 900, the Archbishop of Trier publicly lamented her influence. “Certain wicked women, who have been perverted

by Satan, believe and profess that during the night they ride on certain beasts with the goddess Diana and an unaccounta­ble host of women.” There are strong parallels here with the medieval obsession with the devil. The Lady of the Night was accused of seducing the God-fearing in the same manner as the succubus: a copulating female demon in the service of God’s arch enemy, preying on unwary males.

Some real-life self-styled fairy queens felt the wrath of both Church and state. In 1613 Alice West was ordered with her husband John to be flogged and put in a pillory on public display to punish them both for posing as the Queen and King of

Fairies in order, it was alleged, to swindle a wealthy couple of Hammersmit­h, west London. They are said to have staged shows where they were attended by elves and goblins, persuading the couple’s servant to sit naked in the garden with a pot of earth in her lap. By morning they had told her, it would turn to gold. It didn’t, and in the meantime they had made off with all her money and clothes.

Then there are the Cailleach of the Gaelic parts of the British Isles, older, lone female figures, often roaming the countrysid­e with herds of sheep or cattle. They were found near water and rivers, a source of ancient wisdom, but potentiall­y malign and so never to be crossed.

It is an intertwine­d folklorish and religious picture that Hutton carefully assembles, all rooted in nature. He might have profitably extended his cast by examining their relationsh­ip with other figures with a more secure foothold in the Christian tradition such as angels, equally popular, and often with a good deal of independen­ce from Church rules and regulation­s. All, to some extent, were (and are) taken as outward signs of a transcende­nt dimension that many discern in the world around them that is beyond logic, reason, science and even the control of organised religion. And that, in today’s sacred-seeking, anti-institutio­nal but imperilled world, is part of their persistent allure.

 ?? ?? i Coming full (fairy) circle: detail from a 1786 William Blake painting
i Coming full (fairy) circle: detail from a 1786 William Blake painting
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