FLAT LAY tips & techniques

THE RIGHT LIGHT

Natural light is always preferable but the trick is in how much. Experiment in different areas of your home and at various times of day until you find a spot that works.

A north-facing room can have softer, more subtle light. If you are in a sunnier position then you can diffuse the light with muslin across the window. Alternatively use a door or window to con

THE BACKGROUND

Almost anything plain and textural works as a backdrop – a wooden floor, a length of linen or a piece of board or canvas that you’ve painted yourself. Cristina Colli advises thinking about the mood of the composition and the style you want to evoke:

“If you want to give a country feel then a rustic, wooden background may work well, while whitewashed wood would lend a more romantic look. White marble is elegant and contemporary, while dark backdrops give a moody ‘Dutch master’ feel to a photo.” Roses and foxgloves, above, by Cristina Colli. trol how much light comes in – this subtle side light can work especially well with dark, moody backdrops.

“I only ever use natural light, setting up next to an open door or window so the light shines in from one side,” says Becky Crowley. “Sometimes I’ll use a light reflector, or a sheet of white card to lift the shadows a little if needed.” Late summer flat lay, left, by Éva Németh.

THE IDEAL STEMS

The flowers you photograph will reflect your own taste but garden-grown or wild flowers make it easier to create a flowing composition.

“I don’t like working with anything too straight and strong,” says Éva Németh, who finds imported flowers to be so straight and uniform they seem lifeless. “Instead you want anything natural that has a little bit of movement and character.”

From there, aim for balance and proportion – if flowers work well together in the garden they are also likely to work well in a picture. Daffodils, below, by Éva Németh.