The Daily Telegraph - Saturday - Saturday

‘Even in the shade, the greens are so bright in Barbados’

-

If Kit Braden’s wife Rose hadn’t suffered from a winter cough, the couple’s present life might have been very different. Having never given much thought to the Caribbean – after all, he is chairman of the Provençal beauty company L’Occitane and has spent much time in the Mediterran­ean – the extended family took a house on the beach at Prickly Bay, Grenada, for the winter of 2012-13. It offered sunshine and warmth and a chance for that cough to clear up.

With four children and (now) 10 grandchild­ren, “I started to think ‘this is quite nice,’ so we looked around a bit,” says Braden, 76, as we lunch in the couple’s Provençal-inspired dining room. It is a grey, chilly December day outside in Holland Park, west London and you can see his point, especially as he has a cough himself.

Having looked at a property on Grenada, his children spotted that Fustic House was for sale in neighbouri­ng Barbados. It was rented out for the Christmas holidays but the Braden family managed to book an hour’s slot when the guests were out on New Year’s Eve and flew over to inspect.

It was raining, but neverthele­ss Braden asked to walk the boundaries of the 11-acre property. “By the time we had done that, in my mind I had bought it.” Then there was a quick whizz around the island in a taxi to explore before heading back. “That is all we knew of Barbados.” They had the keys by June 1 2013.

It seems appropriat­e that Braden had fallen under Fustic’s spell so immediatel­y, as “dreamlike” and “magical” are qualities often ascribed to the estate, which sits on an escarpment overlookin­g the Caribbean in the northern parish of St Lucy.

It is far away, in spirit at least (Barbados is only 21 miles long), from Sandy Lane and the flashy developmen­ts further down the west coast and has something of a fabled reputation, its coralstone-piered gates rarely swinging open to the public.

Screened by thick vegetation and tall West Indian mahogany trees, which are at least 100 years old and cast cooling shade over extensive lawns, the 18th-century former sugar plantation house is one of the handful on the island that were renovated or built in the Sixties and Seventies by Oliver Messel. One of the foremost theatrical, film and set designers of the day, Messel was a man who knew how to make all the world a stage, and especially the properties that he worked on.

Although two more pavilions have been added in the grounds at Fustic, a succession of respectful owners has ensured the property retains the spirit Messel intended: wrapped up in its own little world, with the house sitting comfortabl­y in relation to the garden, loggias, wide terraces and arches dripping with jasmine and the wisteria-like queen’s wreath, Petrea volubilis, all framing the wonderful views of the Caribbean 350ft below.

The place is made for entertaini­ng but also hiding oneself away in a shady corner. The designer’s trademark “Messel green” – a light minty sage known throughout the island – still appears on shutters and doors, columns, his squiggly railings and the outdoor furniture. The pots he designed are still here, filled with bougainvil­lea and desert roses. Even today his presence, like a benign ghost, is very much felt.

Messel’s clients were his friends Vivien and Charles Graves (brother of Robert Graves) and the house has changed hands roughly every 10 years since. Much of the garden in evidence today was put in by Todd Longstaffe-Gowan during the Nineties for Sigrid Rausing and her then husband, the publisher and art dealer Dennis Hotz, though it had been rather neglected in recent years and had become overgrown.

Longstaffe-Gowan spent part of his childhood on Barbados, in an old plantation house of the same era, so the house and land at Fustic felt quite familiar to him. He got to know the place well, as he worked with the couple on the garden for three years. “It was great fun as they were really willing to do extraordin­ary things. It is a lovely location: unusual in that it is in a very dramatic site facing the west. The fun was to reconnect the house to the sea, as the trees had grown up so much they blocked the view.”

One thing that strikes you about the garden is how green it is, with layers of foliage and form. “Messel’s favourite colour was green,” says Longstaffe­Gowan. “The light is so intense, greens have the most extraordin­ary range of hues, it responds so well. You don’t need lots of colour. In the tropics, even in the shade the greens are so bright.”

Flamboyant trees, also known as royal poinciana (Delonix regia), planted in view of the veranda, ensure there is a jolt of red flowers in the winter.

Longstaffe-Gowan was particular about what would go into the garden, and wanted to use the traditiona­l vocabulary of the island. The fluffy zoysia grass, in areas now used by Braden’s family for playing badminton or croquet, was dug up from a derelict hotel on the coast. At that time, there were few nurseries and the quantities they

 ??  ?? DRAPED WITH LIFE View over the main terrace, ‘Messel Green’ furniture and West Indies mahogany trees, main; left, the south terrace veranda GO GREEN
DRAPED WITH LIFE View over the main terrace, ‘Messel Green’ furniture and West Indies mahogany trees, main; left, the south terrace veranda GO GREEN
 ??  ??
 ??  ?? Messeldesi­gned container with desert rose, left; horsehead philodendr­on, Boston fern and plumbago by the lagoon pool, right
Messeldesi­gned container with desert rose, left; horsehead philodendr­on, Boston fern and plumbago by the lagoon pool, right
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United Kingdom