The Daily Telegraph - Saturday
Geisha district bans ‘out of control’ tourists
Surge in harassment and assault of performers prompts Kyoto to restrict access to certain areas
FOR centuries, tourists have visited Kyoto to see the city’s geishas in their bright kimonos, white-painted faces and elaborate hairdos.
But from next month, visitors to the historic Gion district will be banned from certain streets after a surge in harassment.
The situation is “out of control”, experts say, with reports of sightseers stubbing out cigarettes on the performers, pestering them for selfies and chasing them down the street.
The plan to limit access comes after a Gion district council made up of local residents urged Kyoto City in December to tackle the issue of overtourism, highlighting that the area was “not a theme park”.
Many of the district’s atmospheric narrow lanes, lined with traditional wooden architecture, will be out of bounds for tourists from next month.
The ban will be marked with new signage, although the area’s main thoroughfare, Hanamikoji Street, will remain open, according to Isokazu Ota, an executive member of the council.
“We will ask tourists to refrain from entering narrow private streets in or after April,” he told AFP. “We don’t want to do this, but we’re desperate.”
The picturesque Gion area, one of the busiest spots in Kyoto, has long seduced crowds of tourists with its time-capsule architecture, rich cultural heritage and legendary status as home to geisha.
However, the volume of crowds that throng Gion’s lanes is at odds with the culture of exclusivity that traditionally surrounds the ritual-steeped world of geisha, known as geiko in Kyoto.
Access to the world of geiko, who are highly accomplished masters of traditional art forms, from dance to music, often requires introductions via contacts, with select clients permitted at exclusive teahouse events.
Plans to limit access to Gion’s lanes follow several earlier initiatives aimed at preventing tourists from misbehaving in the district, which appear to have had limited effect. Five years ago, Gion district council put up signs saying “no photography on private roads”, warning of fines of up to 10,000 yen (£53) for taking non-consensual pictures.
And the issue has become even more critical since Japan reopened its borders October 2022 after two and a half years of closure because of Covid, paving the way for a sharp resurgence in tourism.
In one incident, a US tourist reportedly threw $10,000 at a geisha along with the key to his hotel room. More commonly, tourists block the paths of the performers, who are sometimes mistaken for sex workers in foreign cultures, demanding selfies.
Sometimes they enter private properties to take photos, Peter Macintosh, an expert on geisha culture, told the
“It’s out of control,” he said.
A lack of cultural awareness is a key factor in causing discord between tourists and locals in Kyoto, according to James Mundy of Inside Japan Tours, a specialist tour operator.
“Kyoto was certainly seeing signs of over-tourism pre-pandemic, but it has become a bigger issue post-pandemic, as demand to travel to Japan has grown,” he told
“However, over-tourism is not just about big crowds, it is about a lack of cultural awareness which is a big part of the issue here – big tourist groups and DIY travellers keen to get a picture of the iconic geisha in the traditional streets of Kyoto but with a lack of understanding around culture and etiquette.”
Kyoto is not the only tourism hub in Japan in the spotlight because of concerns with overtourism. Officials in Yamanashi Prefecture announced this week that from this summer, hikers wishing to climb Mount Fuji, Japan’s most famous peak, will be charged 2,000 yen each, with numbers limited in order to improve safety and reduce congestion.
In the late 1920s there were some 80,000 geishas but today only 1,000 remain. Teenagers are less likely to commit to the lengthy training in music, dance and etiquette required by the 18th-century tradition.
The pandemic spurred some geishas to innovate by providing Zoom calls or launching crowd-funding sites. The typical geisha performance furnishes ‘Overtourism is not just about big crowds, it is about a lack of cultural awareness’ guests with an hours-long party, involving dance and games, alongside a meal.
In the 1970s, US anthropologist Liza Dalby became the first Westerner accepted into the geisha community, after studying the form for her phD. Her skill on the shamishen – a plucked string instrument – was key to her entry to the community. Dalby was invited to join a group in Kyoto, where she would earn a reputation as the “blue-eyed geisha” and become a household name.
“They saw that I was serious in my study and they felt that I would not really be able to understand their lives unless I experienced it myself,” she said.