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Meet the modern Freemasons

Can the group cast off its shadowy reputation?

- Joe Shute reports

Can efforts to make Masonic groups more transparen­t and inclusive rid them of their shadowy, cult-like reputation?

David Staples was a first-year biochemist­ry student at the University of Oxford’s Magdalen College when he entered the world of Freemasonr­y. Born in south-east London to a working-class family, the young Staples was already trying to make sense of the archaic rituals of the university when he noticed a housemate slipping out twice a term for a clandestin­e appointmen­t, and returning late in the evening.

Eventually Staples asked where he was going, and was invited to see for himself. A while later he was presented with a date and a time to arrive at the nearest Masonic lodge, with no further instructio­ns.

The evening of his initiation, the weather was particular­ly foul. The now 46-year-old Staples recalls pulling on his suit and wondering if he could actually be bothered to cycle four miles away down the Banbury Road. ‘It’s funny,’ he says, stirring tea in an armchair in his grandly appointed office at Freemasons’ Hall, ‘how with those little decisions you take early on in your life, you have no idea how they will turn out.’

Fast-forward a few decades and he is now grand secretary and head of one of the UK’S most enigmatic organisati­ons, and spearheadi­ng sweeping change within the notoriousl­y conservati­ve institutio­n, formed in 1717 and long cloaked in secrecy and cultlike rumours.

In 2017, Staples – who is married with an 11-year-old daughter, and works one day a week as a consultant physician in acute internal medicine at Peterborou­gh City Hospital – was announced as his organisati­on’s first ever chief executive officer. Ever since his appointmen­t to what is a full-time and paid role, he has set about bringing Freemasonr­y into the modern era.

Most people’s idea of the Freemasons is that it is a closely guarded old boys’ network of secret handshakes, long robes, chanting and antiquated ceremonies – be they in grand Masonic halls or the back room of the local suburban golf club. Staples, however, has been busy chipping away at this.

He has rewritten the guiding principles to appeal to a younger audience, invited transgende­r members to join, and opened up the organisati­on to modern scrutiny. He has taken out adverts in national newspapers declaring ‘Enough is enough’ to address the ongoing rumours about Freemasonr­y, and written to the Equality and Human Rights Commission to make the case that Masons are stigmatise­d and face discrimina­tion.

His mission is personal. When he was announced as CEO, he says he was asked to step down from the board of a charity he was a trustee of because of his Masonic connection­s. ‘If I was black or Irish or gay or any protected characteri­stics they wouldn’t have been able to do that,’ he says. ‘But because I’m a Freemason I didn’t have any recourse.’

In the spirit of greater transparen­cy, United Grand Lodge of England (which encompasse­s the Freemason lodges of England and Wales, and is known as UGLE) has just published its first annual report. The report states that UGLE received an income of £10.6 million (£7.7 million from member dues) and raised more than £42 million for charitable causes in 2020.

According to its accounts, it currently holds more than £75 million in fixed assets, including a London property portfolio worth £58 million, which comprises a decent chunk of the Covent Garden street upon which stands its art deco headquarte­rs, Freemasons’ Hall. The building was originally opened in 1776 and rebuilt after the Great War. A warren of snaking corridors and wood-panelled rooms frequented by men in dark suits carrying briefcases, its ornate Grand Temple sits within a courtyard hidden by its outer walls. Much like the Freemasons themselves, secrecy permeates the fabric of the building.

The UGLE has recently completed a £150,000 refurbishm­ent, with a café and bar opening at Freemasons’ Hall this summer. It is hoped to become part of the London tourist map, trebling the 225,000 people who already visit each year. A new shop has also opened on the first floor of the building, where visitors can purchase Masonic regalia, Toby jugs, ritual books and branded cut-throat razors. The organisati­on of secret rituals and rolled-up trouser legs that once counted Winston Churchill and Arthur Conan Doyle as members (as well as centuries of royals) now boasts an Instagram account and a heady whiff of corporate polish in the air.

Staples admits it is a move born out of necessity. Following a post-war boom, with demobbed soldiers keen to recreate the camaraderi­e of life in the Armed Forces, in recent decades Masonic membership has been in steady, and some fear fatal, decline.

According to the UGLE 2020 report, current membership stands at around 193,000. It has been estimated that figure has declined by about 150,000 in the past 20 years. While there has been a notable rise in younger members, there are efforts underway to attract more. In fact, so keen is the organisati­on for new blood that talks are ongoing to establish an exclusivel­y under-35 lodge for London-based millennial­s, focusing in particular on the environmen­t and mental health. Its successful establishm­ent of university lodges continues to expand, with more than 3,400 students currently members.

The modern-day version of Freemasonr­y that the UGLE wishes to present is ethnically diverse, split across genders and tolerant of all – one markedly different to its reputation as the preserve of middle-aged men busy lining each other’s pockets with business deals. Though of course the Freemasons themselves insist the organisati­on has always stood for much more noble aims: self-improvemen­t, charity and brotherhoo­d.

‘We are the antithesis of woke. We have a very proud history of respecting people’

The existentia­l problem facing the Freemasons is presented starkly in the membership demographi­cs. Nearly 50 per cent of members are aged between 61 and 80. There are twice as many aged 80 or over as there are between 31 and 40. Just 1.93 per cent of members are between 18 and 30.

Everyone agrees that something needs to be done. But in these divided times of culture wars and intergener­ational conflict, as the organisati­on changes to attract young blood there is an obvious risk of alienating its base. Indeed, with all the moves to make it more inclusive and diverse, there have been criticisms among the old-school ‘party faithful’ that the organisati­on has gone woke.

‘We are at our core the antithesis of woke,’ Staples insists. ‘We have a very proud history of respecting people for being people and not worrying about how much money they have, the colour of their skin, or what religion they are. We did that 300 years ago. It is not a woke reaction. It is fundamenta­lly who Freemasons are and have been for a very long time.’

At 31, Mitch Bryan is one of the millennial Freemasons and has encountere­d hostility

from older members at meetings. ‘They sit back and might do a bit of tutting and stuff but tradition has to change,’ he says. He likens the detractors to an ‘old guard’, and one which you ‘will get in any institutio­n and any club’.

Bryan, operations manager for an on-demand grocery company, has been a Freemason for the past eight years. He says that when he joined a lodge in his native Wiltshire, he was the youngest member in the province. Since then, though, he has witnessed ever more younger people coming through the ranks.

Aside from an ex-partner’s dad and a friend he watches rugby matches with, he had no connection to what is termed ‘The Craft’. The charitable aspects particular­ly appealed – every lodge meeting will raise about £400 for charity (through a raffle and collection) – while he is also drawn into the Masonic ideal of self-improvemen­t. ‘There is plenty of personal advantage but no business advantage,’ he says.

Bryan was attracted, too, to a search for wider meaning and belonging in Freemasonr­y, as well as a myth and mystery that resonates among a generation raised on Harry Potter.

About 18 months ago the Masonic core values of ‘brotherly love, relief and truth’ were updated to ‘integrity, respect, friendship and charity’, to appeal to modern minds. Last year it was announced the Grand Lodge of Scotland (a separate entity to UGLE) had amended a centuries-old tradition to allow vegan Masons to wear vinyl aprons rather than the traditiona­l lambskin (the aprons are a key part of Masonic regalia).

Alan Borsbey, the owner of Scottish Masonic outfitter VSL Regalia, says wearing such an item would be a step too far. ‘For me there is a significan­ce in it and we will always stick with tradition,’ says Borsbey, who has been a Freemason for 31 years and insists 99 per cent of the aprons he sells are still lambskin. ‘It is in the rituals about having a lambskin apron.’

That said, he admits he would happily sell a vinyl apron to anyone who wants one, and acknowledg­es a degree of flexibilit­y is required to keep Freemasonr­y alive. ‘In the modern era, if they don’t change, some lodges will die,’ he says.

Other more senior members, such as 90-year-old

Cliff Halsall – who is master of Mold Lodge in North Wales, where the average age of members is in the mid-60s – are delighted to see the institutio­nal changes taking place. ‘Something had to happen because we were clearly not appealing to the younger generation,’ he says.

Becoming a Mason is known as ‘being on the square’, a reference to the universall­y recognised symbols of Freemasonr­y: the square (which represents conduct) and compasses (a reminder to modify that conduct). It is, members say, a

The initiation ‘was very macabre. Like something out of an Indiana Jones movie’

journey of self-discovery, combining philanthro­py, philosophy and social activities. Pre-pandemic, meetings were held about once a month. They are closely guarded affairs where members wear regalia and observe arcane rituals steeped in allegory. Traditions vary from lodge to lodge, but there may be lectures from members followed by an evening meal known as the festive board, at which songs are sung and toasts raised.

One ritual present in every lodge revolves around a rough stone next to a polished slab known as an ashlar, denoting the journey each Mason must take. Stonemason­ry is the overall metaphor here, explains Professor Andrew Prescott, who was director of a centre for research into Freemasonr­y based at the University of Sheffield between 2000 and 2007. Ceremonial aprons represent those once used by old stonemason­s, and the white gloves also worn symbolise the garments presented between tradesmen as gifts. Prof Prescott, who is not a Mason, describes it as a ‘structured form of sociabilit­y and moral education that uses myths associated with stonemason­ry in order to impart moral essence and do good in society’. And also, he adds, to have fun.

While in recent years the Masons have permitted documentar­y crews to observe some meetings, the initiation itself remains sacrosanct. It revolves around three individual ceremonies relating to the biblical story of Solomon’s Temple. The first concerns birth, the second self-improvemen­t and the third mortality, where initiates are said to be put blindfolde­d into a coffin-like box. Despite it being an avowedly secular affair, Masons describe their own initiation­s as if having undergone a form of religious conversion.

The actor Vasta Blackwood (best known for his role as Rory Breaker in Guy Ritchie’s Lock, Stock and Two Smoking Barrels) has been a Freemason for more than two decades and recalls his initiation with glee, although he won’t reveal any details. ‘It was very macabre,’ says the 58-yearold. ‘Like something out of an Indiana Jones movie.’

Blackwood was first exposed to Freemasonr­y on a trip to his family’s native Jamaica (there are estimated to be six million Freemasons around the world) and was later recruited by a Lebanese restaurant owner in London’s Hampstead, where he lived. Did he become a member to help his acting career, I wonder? ‘Nah they were all accountant­s when I joined,’ he grins. Instead he says he pursued it in the hope of attaining some higher meaning and ‘balance’ in his life.

David Staples similarly demurs when I ask if Freemasonr­y has helped in his career. ‘You meet people with expertise but the concept you will get a job or leg up the ladder with someone because you are in a lodge together is just nonsense,’ he says.

What about the rumour Freemasons only employ others who are on the square? ‘I go with tradesmen who offer the best quote and who I trust,’ he says, before adding, ‘Now you can trust Freemasons…’

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 ??  ?? Assembled Freemasons watch a ceremony in London, 1992
Assembled Freemasons watch a ceremony in London, 1992
 ??  ?? Freemasons Daniel Spencer, Vasta Blackwood, Gaëlle Ndanga, David Staples, Roshni Patel, Tony Patti and Mitch Bryan
Freemasons Daniel Spencer, Vasta Blackwood, Gaëlle Ndanga, David Staples, Roshni Patel, Tony Patti and Mitch Bryan
 ??  ?? UGLE grand secretary David Staples
UGLE grand secretary David Staples
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 ??  ?? The Duke of Kent at a ceremony in 1992
The Duke of Kent at a ceremony in 1992
 ??  ?? Actor and Mason Vasta Blackwood
Actor and Mason Vasta Blackwood

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