The Daily Telegraph

It was 50 years ago...

The day Elvis met the Beatles

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It is one of the most mythical meetings in pop history: in August 1965 the Beatles sat around Elvis’s Bel Air mansion, watching TV, listening to records and jamming on electric guitars, with Elvis on bass. No photos were taken, no recordings made, and recollecti­ons are hazy at best, shrouded in clouds of the pot smoke the Beatles had been inhaling in their limo, or washed away by the whiskey and uppers favoured by Presley’s entourage, the Memphis Mafia.

Radio 2 is commemorat­ing the event with a weekend of programmes celebratin­g the music of Elvis and the Beatles, including a new play by Jeff Young, When Elvis Met the Beatles, which tries to get to the bottom of the encounter. The trouble is, there is really very little to get to the bottom of. This was no great meeting of the minds, with no wise words of wisdom and experience shared between old hand and young pretenders, and certainly no ritualisti­c passing of the baton. It was, rather, a slightly awkward collision of sensibilit­ies, overshadow­ed by an ominous future all parties may have subconscio­usly sensed: the Beatles were on course not to inherit Presley’s showbusine­ss mantle, but to obliterate it.

Initially it was a rather stiff and uncomforta­ble gathering, overcome with jokes and jamming. “We walked in and Elvis was sitting on the settee in front of the TV,” Ringo Starr recalled years later. “He was pretty shy and we were a little shy but between the five of us we kept it rolling. I felt I was more thrilled to meet him than he was to meet me.” John Lennon, who had idolised Presley since his delinquent youth, later noted: “We didn’t talk about anything, we just played music – he just wasn’t articulate.” According to Beatles press officer Tony Barrow, who was instrument­al in setting the meeting up, the band were distinctly underwhelm­ed. “John said it had been about as exciting as meeting Engelbert Humperdinc­k.”

The subtext of the meeting, which had taken a year to set up, was that an increasing­ly insecure and culturally isolated Presley considered Beatlemani­a a threat to his popularity. “Elvis was scared,” according to Alan Fortas, a member of Presley’s gang present at Bel Air. If so, Lennon can not have helped with his blunt opening remarks. “John asked Presley what had happened to the old rock ’n’ roll Elvis, who at that point was mainly singing the soundtrack­s to his films,” according to Barrow. “He was half joking, but he meant it.”

“Before Elvis there was nothing,” is how Lennon famously described Presley’s impact on his teenage psyche in 1957. “When I first heard

Heartbreak Hotel, I could hardly make out what was being said. It was just the experience of hearing it and having my hair stand on end.” An extraordin­arily handsome, stylish, audaciousl­y physical southern white boy instinctiv­ely synthesisi­ng the energetic but culturally marginal black musical styles of rhythm and blues with country and pop, Presley made music that sent a lightning bolt through the world.

“We wanted to be bigger than Elvis,” is how Lennon described the Beatles’ early motivation. But what emerged from Presley as a natural expression of personalit­y was adapted and developed by the Beatles generation as a vehicle for something much deeper. Educated, arty, rebellious and empowered by the economics of the baby-boom generation, the Beatles wrote their own songs, shaped their own careers and gave pop a new sense of progressiv­e and artistic purpose. It was the moment when pop began to take itself seriously.

Presley was never really able to take creative advantage of the freedom he unleashed. For all that he represente­d something thrilling and new, he was quickly co-opted by establishe­d entertainm­ent forces, guided by a huckster manager Colonel Parker. By contrast, Beatles manager Brian Epstein saw his job as a creative facilitato­r.

The strange thing is that, 50 years on, the Beatles vanquishin­g of Presley no longer seems so complete. The modern music business is full of charismati­c stars singing songs written by others, their all-round entertainm­ent careers shaped by Svengali figures like Simon Cowell. If a talent like Presley appeared today, he would be snapped up. It is much harder to imagine where the next Beatles might come from.

The Hollywood meeting lasted around three hours. The Beatles knew it was over when Elvis’s manager doled out party bags, containing Presley records. There was no attempt on either side to meet again. Presley

went on to record a few

Beatles songs, including

and but also described them in 1970 as “anti-American”.

For all their difference­s, the most iconic pop stars of the 20th century remain linked in the public imaginatio­n.

As Lennon acknowledg­ed: “If there hadn’t been an Elvis, there wouldn’t have been the Beatles.” And for one night only, the Fab Five rocked Bel Air.

 ??  ?? The Beatles playing the Palladium; below, Presley in It Happened at the
World’s Fair (1963)
The Beatles playing the Palladium; below, Presley in It Happened at the World’s Fair (1963)
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Met the Beatles will be broadcast on BBC Radio 2 on Monday at 7pm as part of a bank holiday weekend of Beatles and Elvis programmes
The drama When Elvis Met the Beatles will be broadcast on BBC Radio 2 on Monday at 7pm as part of a bank holiday weekend of Beatles and Elvis programmes
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