The Daily Telegraph

Shall I compare thee to a rap star?

Royal Shakespear­e Company launches hip-hop app to attract youngsters

- By Hannah Furness ARTS CORRESPOND­ENT

THE Royal Shakespear­e Company must capture students’ enthusiasm before they conclude the Bard is boring, its director of education has said, as she launched an app teaching Much Ado

About Nothing through rap. Jacqui O’Hanlon said the app would act as a “trail of breadcrumb­s to the original work.

The app’s rap lyrics are derived from Shakespear­e’s insults, and his characters’ amorous exchanges. It challenges users to spot the dif- ference between the Shakespear­e rap and those of modern hip-hop artists.

Intended for use by pupils aged 11 to 16, it is designed to capture the imaginatio­n of young people before they come to the conclusion Shakespear­e is not for them.

Developed with Samsung by the RSC using their own research, theatre and actors, it will be marketed to schools and teachers.

O’Hanlon, the director of education at RSC, said the programme should be welcomed even by purists, as it was aimed at showing students the power of the language.

One of the three sections it offers, introduced by David Tennant, will test users on whether certain lines of text are the work of Shakespear­e or from contempora­ry hip-hop artist Akala.

“Often it’s hard to identify which is which,” said O’Hanlon.

“It’s trying to capture the imaginatio­n of young people who might have a preconcept­ion that Shakespear­e is boring and irrelevant, and actually have them discover or rediscover that this language is potent and political and powerful. Powerful just the same way that a lot of hip-hop lyrics are: language is power.

“It’s inviting students to think again about Shakespear­e’s language.”

A second section will encourage students to lip sync to famous Shakespear­ean insults, or practice how to woo with his lines of love.

From there, they will be introduced to a more traditiona­l version of Much Ado

About Nothing, that includes tips from actors and directors and, eventually, performing the part of Benedict or Beatrice opposite a virtual RSC actor.

The app, called RE: Shakespear­e and available via Google Play, is deliberate­ly aimed at students who will be getting their first formal introducti­on to Shakespear­e’s works.

“We know that the earlier you can get to young people, the better the experience­s they have,” said O’Hanlon.

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