The Daily Telegraph

Proof that country is best served raw

- By Sarah Carson

Miranda Lambert has been a queen of country for more than a decade. An East Texan, Lambert is adored and decorated for her scorching six-album back catalogue, a combinatio­n of vitriolic revenge anthems, tender odes to love and heartbreak, and upbeat, hard-party drinking songs. For four years, she was married to fellow singer Blake Shelton; the divorce of Nashville’s sweetheart­s was mined in depth on last year’s triumphant The Weight of These Wings.

On her first solo tour outside North America, and at London’s Hammersmit­h Apollo, the tiny blonde star was joined by an eight-piece band to open with racy hits Fastest Girl in

Town and Kerosene, which set the tone for a high-energy evening.

Lambert is a sterling songwriter and guitarist, and possesses a nimble, commanding twang, just unpolished enough to convey great emotion at little strain. It was a pity, then, that these gifts were frequently lost in a cacophony of overzealou­s guitars and drums. While such brio felt fitting on defiant break-up favourite Mama’s Broken Heart and domestic-abuse condemnati­on Gunpowder and Lead, it was jarringly at odds with the gossamer harmonies of Heart Like Mine and Over You. It wasn’t until the encore of the introspect­ive Tin Man that Lambert’s delicate artistry was truly on display.

On stage before her were Ward Thomas. Not often does a support act guarantee a full house, but such is the devotion to the 23-year-old Hampshireb­orn twins Catherine and Lizzy who, since 2014, have been blazing a trail for British country music and whose second record Cartwheels made them the first UK country act to chart at number one. In a short and unadorned performanc­e, their lovely natural harmonies soared at their sweetest on Cartwheels; their power hitting its stride in irresistib­le scorned-lover single Guilty Flowers.

The girls charm best when not aping southern honky-tonk styles, which never fails to feel inauthenti­c and happened too often here.

Tonight, women of country from both sides of the Atlantic proved their talents shine most brightly when performed at their rawest.

 ??  ?? Trailblaze­rs: Ward Thomas have succeeded in matching their British voices with catchy, confession­al songwritin­g
Trailblaze­rs: Ward Thomas have succeeded in matching their British voices with catchy, confession­al songwritin­g

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