The Daily Telegraph

John Cohen

Old-time folk revivalist, film-maker and musicologi­st who founded the New Lost City Ramblers

- John Cohen, born August 2 1932, died September 16 2019

JOHN COHEN, who has died aged 87, was a guitarist, banjo player, singer, photograph­er and archivist who was seen by some as a visionary after devoting most of his life to performing, championin­g and preserving the lost music of the American South.

As a founder-member of the influentia­l, old-timey string band, the New Lost City Ramblers, he helped shine a light on the rural country music of the 1920s and 1930s, revitalisi­ng it with an energy that brought it into the heart of the 1960s American folk revival and gave identity to its unsung original performers.

As such he helped inspire a new, young generation of folk musicians, including Bob Dylan, while the High Lonesome Sound title of his 1963 documentar­y film fell into common usage as a descriptio­n of Appalachia­n music. One of the Grateful Dead’s most popular songs, Uncle John’s Band, is said to have been inspired by Cohen, who was known as Uncle John to younger musicians.

Yet Cohen was a New Yorker, born in Queens on August 2 1932, and growing up in Long Island with his parents, Sonya and Israel, who owned a shoe shop. His elder brother Mike – who had a group called the Shantyboys – first got him interested in folk music and, mostly listening to Woody Guthrie records, he learnt to play a variety of stringed instrument­s.

At Yale University, where he took a degree in fine arts, he met a similarly minded enthusiast, Tom Paley, and they started playing hillbilly songs together and promoting informal music sessions on campus, which were then known as “hootenanni­es”.

Meeting another kindred spirit, Mike Seeger, they formed the New

Lost City Ramblers and swiftly gained a keen following on the college campus circuit with their energetic arrangemen­ts of old songs such as How Can a Poor Man Stand Such Times and Live, Taxes on the Farmer Feeds Us All and Breadline Blues. Where other groups sought commercial success through polished updates, Cohen determined to stay true to the music’s roots, going on numerous research field trips to the south.

The Ramblers appeared at the first Newport Folk Festival in 1959 and went on to release their first LP, on the Folkways label. In the next four years – until Tom Paley left to be replaced by Tracy Schwarz – they released eight albums, including Songs From The Depression and Moonshine & Prohibitio­n, and toured regularly, becoming the catalyst of a musical countercul­ture, notably influencin­g Ry Cooder and the Byrds.

“We made it possible for urban-based musicians to step out of the demands of the music business and look out into America to get in touch with the genuine energy, drive and craziness out there,” said Cohen.

Along the way he became an archivist and documentar­y maker, responsibl­e for discoverin­g important traditiona­l artists such as the Appalachia­n singers Dillard Chandler and Roscoe Holcomb (the primary subject of his High Lonesome Sound film).

His photograph­s appeared in various magazines, gallery collection­s and books, such as There Is No Eye (2001) and Young Bob (2003), a record of Bob Dylan’s early days in Greenwich Village. A new collection, Speed Bumps on a Dirt Road: When Old Time Music Met Bluegrass, was recently published by Powerhouse Books.

Cohen left the New Lost City Ramblers in the early 1970s when he began teaching visual art and photograph­y at Purchase College, New York, but they reunited for a 20th anniversar­y concert at New York’s Carnegie Hall in 1978 and for a 35th anniversar­y tour in 1993.

In 1999 he released a solo album, Stories the Crow Told Me, and also played occasional­ly with another old-time string band, the Down Hill Strugglers. He was associate music producer with T Bone Burnett on the 2003 American Civil War film Cold Mountain, appeared in the No Direction Home Martin Scorsese documentar­y on Bob Dylan and was the subject of a 2009 Smithsonia­n Network documentar­y, Play On John: A Life

in Music. His extensive archive is now housed at the Library of Congress in Washington.

In 1965 John Cohen married the musician Penny Seeger, half-sister of Pete; she died in 1993, while their daughter Sonya Cohen Cramer, also a singer, died in 2015. He is survived by Rufus, his son with Penny.

 ??  ?? Cohen in New York in 1962: he inspired a new, young generation of musicians including Bob Dylan and the Grateful Dead
Cohen in New York in 1962: he inspired a new, young generation of musicians including Bob Dylan and the Grateful Dead

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