The Daily Telegraph

My grandad and the bomb that destroyed Hiroshima

As the 75th anniversar­y of the world’s first atomic bomb approaches, Emily Strasser reckons with her family’s role in the atrocity

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On August 6 2015, I knelt on the banks of the Motoyasu River in Hiroshima, Japan and floated a paper lantern on the dark water. Following the current, it joined the stream of thousands of others, decorated with peace signs, flowers, globes, and prayers for peace in many languages, flowing past the skeletal ruins of the iconic A-bomb Dome and under the Aioi Bridge, which had served as the target for the atom bomb, 70 years before.

On the night of August 6 1945, victims of the bombing gathered by that same river in numb shock and horror as their city burned around them. They took refuge in the water, hoping to soothe their wounds. Some people’s skin hung in strips or slipped off in sheets. The dead floated beside the living. Many of the injured cried out for water. Still, many survivors later remembered the eerie quiet of that night.

Before setting my lantern in the water, I slid a photograph of my grandfathe­r into the corner. It flickered ghostlike in front of the candle flame. I wanted him to bear witness to what I don’t think he had ever fully faced in his lifetime: that his work in a top-secret laboratory in the south-eastern United States had contribute­d to this atrocity.

Oak Ridge, Tennessee, codenamed Site X, was a secret city built by the Manhattan Project to house the production facilities and workers needed to enrich the uranium bound for the Hiroshima bomb. As a midlevel chemist, my grandfathe­r, George Strasser, was likely not told the ultimate purpose of his work for security reasons. He died before I was born, so I could never ask him.

I vividly remember a photograph hanging in my grandmothe­r’s house when I was a child, showing my grandfathe­r standing in front of a mushroom cloud. At the time I didn’t understand what it meant, but it launched a lifelong interest in his involvemen­t in the nuclear bomb. As I came to understand the significan­ce of the photo, I was haunted to know that he played a part in the horror released in Hiroshima, taking an estimated 80,000 lives in the force of a single explosion, and hundreds of thousands in the days, weeks, months and years after, as the radiation ran its course through the bodies of those who had been there that day.

My trip to Hiroshima was the culminatio­n of years of grappling with this history, attempting to understand my grandfathe­r and the legacy of his work. Even after Hiroshima, he chose to continue a career in nuclear weapons production. His rapid climb was halted when his mental health began spiralling in the Sixties. He spent nearly a decade in and out of psychiatri­c hospitals, alcoholic and suicidal, and was finally medically retired, declared “totally and permanentl­y disabled” by his psychiatri­st.

Part of my journey has been trying to grasp how his work contribute­d to his

I vividly remember a photo showing my grandfathe­r in front of a mushroom cloud

unravellin­g. I’ve spent several months of the pandemic quarantine­d on land outside Oak Ridge that was once my grandfathe­r’s farm. As I watched spring, then summer, roll in on this beautiful land bought with nuclear weapons money, I thought about his contradict­ions – how he built bombs and planted trees, how he found his way off the farm and built a middleclas­s life for his family by making weapons of mass destructio­n.

As we approach Thursday’s 75th anniversar­y of the bombing of Hiroshima, then Nagasaki, I’ve been revisiting the history of the bomb through the story of another man: Leo Szilard. A Hungarian physicist and Jewish refugee from Nazi Germany, Szilard was both responsibl­e for the bomb’s existence and ultimately opposed to its use.

In a moment of terrible inspiratio­n while crossing a London street in 1933, Szilard first conceived the idea of a nuclear chain reaction that could make an atom bomb possible. Then, afraid of such a weapon in Nazi hands, he convinced Albert Einstein to write to President Roosevelt urging him to counter the Nazi threat by building an American bomb first. That programme became the Manhattan Project.

After Germany’s defeat, Szilard did everything he could to try to stop the bomb from being used, attempting to influence military leaders, and recruiting 155 Manhattan Project scientists to sign a petition urging President Truman to consider the grave moral implicatio­ns and dangerous precedent of deploying the bomb. But it never reached the president.

I’d always thought of Szilard as a sort of tragic hero, whose good intentions to curb Nazi power unleashed a nightmare he couldn’t stop. Even afterwards, Szilard continued to fight to ensure that the weapon he’d dreamed into existence would not be the end of humanity, advocating for internatio­nal arms control and nuclear truth-telling. He was a rare mix of genius, imaginatio­n and conscience, a man willing to take responsibi­lity for the consequenc­es of his work.

In many ways, I wish my grandfathe­r had been more like him. In my research, I hoped to find a moment of protest or moral reckoning. But he was a man who accepted a culture of secrecy designed to quell conscience and dissent. He followed directives from above. He did his job.

And yet, there is one story that suggests he did, in the end, question the work he’d built his life on. My mother, an anti-nuclear activist, met my father’s father only once, with some friends who weren’t so concerned with gaining George’s approval. They peppered him with direct questions about the morality of nuclear weapons and he answered, without hesitation, that no nation, not even the US, should possess them: we should disarm, he said, even if we did so unilateral­ly. My mother was stunned. It was a radical position for the time, especially for someone from within the nuclear weapons industry.

I’m relieved to know that my grandfathe­r faced, at least for a moment, the moral implicatio­ns of his work. But I’m disappoint­ed, even

I wanted him to bear witness to what I don’t think he fully faced in his lifetime

angry, that he didn’t speak up sooner, and publicly.

His misgivings, instead, were turned inwards. In July 1983, a congressio­nal hearing was held in Oak Ridge to address the revelation that, decades earlier, the production of fuel for hydrogen bombs had leaked massive amounts of mercury into the local environmen­t. My grandfathe­r had overseen that process; a former psychiatri­st of his told me he’d been tortured by guilt for his part in contaminat­ing his home, the place he’d raised his children. George died of a heart attack six months after the hearing.

Seventy-five years ago, my country unleashed the bomb on the world. I don’t think we’ve ever fully reckoned with that legacy. Today, the United States has an estimated 3,800 nuclear weapons in its military stockpiles; the world has more than 13,000.

The Doomsday Clock was designed by former Manhattan Project scientists to communicat­e the existentia­l threat of nuclear weapons to the world. Every year since 1947, experts have met to determine how many minutes to “nuclear midnight” we are. At the beginning of this year, the Bulletin of Atomic Scientists’ Science and Security Board moved the minute-hand to 100 seconds to midnight, the closest it’s ever been to apocalypse, citing the weakening and ending of arms control treaties by global leaders, the increasing­ly dire threat of climate change, and the cyberwarfa­re that impedes the internatio­nal response to these existentia­l threats. Our very survival depends on how boldly we can change course.

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 ??  ?? Legacy: George Strasser, above, was a chemist working on the nuclear bombs bound for Japan; Emily Strasser, far left
Legacy: George Strasser, above, was a chemist working on the nuclear bombs bound for Japan; Emily Strasser, far left
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