The Daily Telegraph

Incognito Banksy loses his copyright in court

Street artist was found to have acted in bad faith during fight to protect his anarchic creations

- By Steve Bird first

Banksy has been stripped of a trademark for his most famous artwork, the Flower Thrower, because he failed to reveal his identity to judges and was found to have acted in “bad faith” during his legal battle with a UK greetings card company. The ruling could see the Bristol street artist’s other applicatio­ns to legally protect his creations challenged in the UK, Europe and the US. The judgment follows a two-year fight with cardmakers Full Colour Black.

AS THE multimilli­onaire anarchic guerrilla graffiti artist Banksy once took great pleasure in declaring “copyright is for losers”.

But now the anonymous street artist has been stripped of a trademark for his most famous artwork, the Flower Thrower, because he failed to reveal his identity to judges and was found to have acted in “bad faith” during his legal battle with a UK greetings card company.

The ruling could see the Bristol artist’s other applicatio­ns to legally protect his creations challenged in the UK, Europe and the United States.

In a scathing judgment following a two-year fight with card-makers Full Colour Black, three judges said Banksy had made the graffiti which he secretly daubed on other people’s property freely available and repeatedly insisted he did not want to use it on merchandis­e.

The panel, part of the European Union Intellectu­al Property Office, said: “Banksy has chosen to remain anonymous and, for the most part, to paint graffiti on other people’s property without their permission rather than to paint it on canvases or his own property. He has also chosen to be very vocal regarding his disdain for intellectu­al property rights ….

“It must be pointed out that another factor worthy of considerat­ion is that he cannot be identified as the unquestion­able owner of such works as his identity is hidden. It further cannot be establishe­d, without question, that the artist holds any copyrights to graffiti.”

In 2014, Banksy, represente­d by Pest

Control Office Ltd, successful­ly applied for an EU trademark for the Flower Thrower nine years after it appeared on a wall in Jerusalem.

The work also featured on the cover of his 2006 book, Wall and Piece, in which he mocked copyright. He then invited people to download his works for “amusement and activism” but not for profit, insisting he would never merchandis­e his works through cards, mugs or T-shirts.

Many other companies have photograph­ed his art on display in public and then reproduced it on posters and in books.

Full Colour Black, which specialise­s in “the commercial­isation of street art”, challenged his Eu-wide trademark claiming the artist was not entitled to it because he created artwork and not a brand.

In October last year, Banksy suddenly opened a pop-up shop in Croydon, south London, displaying his works and offering it for sale online.

It came about after a lawyer apparently advised the artist to sell his own range of merchandis­e to avoid his trademark being used by someone else under EU law.

In an interview, Banksy said the shop was created “for the sole purpose of fulfilling trademark categories” as part of his dispute.

The judges heard evidence suggesting Banksy had used the copyright of others, as well as declared “any advert in public space … is yours to take, rearrange and re-use”.

Although the judges were only considerin­g Banksy’s trademark − a mechanism designed for consumers to identify origins of goods and services − they noted that if he ever applied to exert rights over his graffiti using copyright laws, “it would be quite difficult” to do so while he remained anonymous and relied only on a company to represent him in court. Referring to the use

‘Banksy has historical­ly not sued people partly because he would need to identify himself and the artist’s misty cloak of anonymity would slip away’

of the Flower Thrower in his 2019 shop, they found “his intention was not to use the mark as a trademark to commercial­ise goods … but only to circumnavi­gate the law.

“These actions are inconsiste­nt with honest practices,” the panel said. The trademark was declared “invalid” on the grounds of “bad faith”.

Aaron Mills, trademark attorney from Blaser Mills who represente­d the card company, said the ruling was “devastatin­g” for Banksy. He said: “He will need to consider whether any of his trademarks are actually valid.

“In the EU he faces a string of further applicatio­ns against his other trademarks. He has historical­ly not taken action for copyright infringeme­nt against people using his images, in part that can be down to his view that copyright is for losers, but also due to his insistence that people were free to use his work, but equally it could be because if he were to sue he would need to identify himself and the misty cloak of anonymity would slip away.”

 ??  ?? Banksy’s original Flower Thrower, which appeared on a wall in Jerusalem, shows a masked man throwing a bouquet in the name of peace
Banksy’s original Flower Thrower, which appeared on a wall in Jerusalem, shows a masked man throwing a bouquet in the name of peace

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