The Daily Telegraph

Rooney’s adulterous quartet packs a punch

- By Marianka Swain

Conversati­ons With Friends BBC Three ★★★★★

Can the BBC’S second Sally Rooney adaptation possibly live up to Normal People mania? The aching romance between tongue-tied adolescent­s Connell and Marianne became one of the buzziest shows of lockdown, racking up an astonishin­g 62million views on iplayer in 2020, while its leads, Paul Mescal and Daisy Edgar-jones, shot to stardom – Connell’s iconic chain necklace even got its own Instagram account. Well, if there’s any justice, this sensationa­l follow-up should be just as big a hit – if not bigger.

The creative band is back together, led by Lenny Abrahamson, the director, and Alice Birch, a co-writer, and they’ve reprised their winning format: 12 moreish half-hour episodes that sensitivel­y tease out everyone’s fraught feelings via charged silences, cryptic text messages, and intimate, authentic sex scenes.

Admittedly, it’s not as voraciousl­y carnal as Normal People but that’s because we’ve moved on from teen lust. Although Conversati­ons with Friends is actually Rooney’s debut novel, it’s has a much more complex and challengin­g premise.

Frances, played by magnetic newcomer Alison Oliver, is a bisexual student at Trinity College Dublin who performs spoken-word poetry with her ex-girlfriend Bobbi.

The pair are ushered into a sophistica­ted adult world when they’re befriended by Melissa, a successful thirtysome­thing writer, and her handsome actor husband, Nick. Bobbi develops a crush on Melissa; Frances begins a covert affair with Nick.

It’s an inventive ticking time bomb of a ménage à quatre, and the fallout is thrilling – and constantly surprising.

Oliver, who, like Mescal, is a product of Dublin’s Lir Academy drama school, shares his gift for making an introverte­d character compelling. However, Frances is a more contradict­ory creation, one capable of casual emotional savagery as well as deep vulnerabil­ity. She’s at the age where identity is a daily experiment, and she examines herself with clinical detachment. But she can unthinking­ly extend that coldness to others too.

It could be too chilly for viewers, but the extraordin­ary Oliver – in what should be a star-making turn – makes Frances’s inner life so evident, and so stirring, that we are always on her side. Abrahamson effectivel­y lets the camera linger on Oliver’s face as different moods scurry across it. A flirtatiou­s message from Nick brings a sudden lightness; an ambiguous one sees her puzzled, longing, infuriated.

She sometimes seems childlike, lost in a world of grown-ups, sometimes dangerousl­y destructiv­e.

Oliver is brilliantl­y matched by Joe

‘It’s not as voraciousl­y carnal as Normal People but that’s because we’ve moved on from teen lust’

Alwyn (aka Taylor Swift’s boyfriend) as her lover Nick. Though modelhands­ome with his artfully tousled hair, hipster beard and smoulderin­g sensuality, he draws out Nick’s insecurity.

The pair are endearingl­y awkward in person and far more articulate in their written messages – the series as a whole is excellent at contrastin­g technologi­cal and offline interactio­ns. But both tend to overanalys­e and misinterpr­et. When they’re in bed together, in gentle scenes with sweet, fumbling moments, panting breaths and palpable connection, they finally communicat­e honestly.

The cast also features Jemima Kirke from Girls as Melissa, straining under the pressure to maintain a glamorous façade – and wondering whether her marriage is worth the battle.

Sasha Lane’s performanc­e as the confident, sometimes tyrannical Bobbi is strong too.

Tommy Tiernan, in a significan­t departure from his lovable Derry Girls character, is quietly tragic as Frances’s depressed, alcoholic father.

Although the series isn’t as overt as Rooney’s novel in questionin­g convention­al social structures, from monogamous relationsh­ips to capitalism, the drama does ask whether we’re being asked to squeeze ourselves into unrealisti­c roles.

That provocatio­n is balanced with the dreamy, golden-hued cinematogr­aphy, particular­ly during the group’s idyllic holiday to Croatia, which makes this an utter joy to watch, as well as an audacious conversati­onstarter.

‘Conversati­ons With Friends’ begins on BBC Three at 10pm on Sunday. The boxset is available on iplayer.

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