The Daily Telegraph

Harry and Meghan are learning that Hollywood only respects real royalty

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Being superficia­lly famous only gets you so far before people start asking: what is the point of you?

The Duke and Duchess of Sussex appear to be learning the hard way that Hollywood only defers to real institutio­ns. There has always been a grudging respect in California for the royals. Not just, as Harry and Meghan might have thought, because they have fancy titles and wear tiaras, but because they have a formal, constituti­onal role that transcends mere celebrity.

The Americans may not have a class system as such, but in Los Angeles, as with the rest of the United States, there is a hierarchy of fame and fortune. Those at the top of the tree tend to be the ones who walk the walk and talk the talk. Being superficia­lly famous only gets you so far before people start asking: what is the point of you?

So, within days of being roasted by South Park as a “dumb prince and his stupid wife”, the Sussexes announced that their daughter “Princess Lilibet” had been christened in LA last week – in the process reaffirmin­g their royalness, despite spending recent months trashing the institutio­n to which their titles belong.

Yet as the satirical cartoon illustrate­d to such devastatin­g effect, global audiences have a knack for quickly seeing through any attempts by Harry and Meghan to enjoy all the privileges of royal life without taking the responsibi­lities that come along with it.

What has been most striking since their move to the US is how inwardlook­ing they have been in a land that values the promotion of hope and opportunit­y.

They spoke in their Megxit statement about carving out “a progressiv­e new role” that was intended to put them on a par with the likes of the Gateses and the Obamas – and yet much of what we have heard from the couple so far has been self-serving rather than in the service of others.

They could therefore do worse than attending the Coronation, if only to show Tinseltown that they still have a part to play in British history rather than acting out in a way that has become as predictabl­e as a script for

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