Fruits of the Wind
Philip Walker creates beautifully fluid organic sculptures in wood as well as bespoke pieces using fallen and storm-damaged trees from his clients’ own gardens
Gouging, carving and scorching are just some of the techniques used by Philip Walker to magnify the hues and textural contrasts in wood when creating his undulating sculptures. “I’m obsessed with wood and the variety it offers,” says the Hampshire-based sculptor. “The range of properties across the thousands of species can make two different timbers seem like different materials entirely, and I enjoy the challenge that brings.”
Around 50 per cent of his work honours trees fallen in private gardens, and almost all of it transforms wood felled due to damage or disease. “A tree from the client’s own garden is often significant to them, so it’s important to honour that tree the best way I can, working closely with the client to deliver a design that they are happy with and showing the character of the tree,” says Philip.
He works in several species, although English oak is a favourite. “Grain patterns and colour can be recognised and exploited using various techniques. A timber with very little interesting character or colour is an opportunity to focus entirely on form, and that can be quite freeing as I don’t need to worry about showing off existing features,” he says.
“There are a few species that will last for a long time outside, namely oak and cedar. They will always lose their colour and turn a wonderful silvery grey. For large works I use green timber. Its high moisture content means it will crack and move, and wind and the elements will change its surface over time; all of this has to be considered and accepted. Sculptures in oak can last for decades outdoors, evolving over the years and mellowing into their surroundings.” philipjameswalker.com