The Field

Art, almanac and aristocrac­y By Chelsea Physic Garden Aster, £12.99 By James Hamilton W&N, £25 By Deborah Hart Strober & Gerald Strober September Publishing, £25 Text by Alan Powers and Lydia Wilson Random Spectacula­r, £35

- ALL REVIEWS BY ETTIE NEIL-GALLACHER

The Herb Almanac

This charming book taps into the zeitgeist for natural remedies as convention­al medicine struggles to contain Covid. However, Chelsea Physic Garden isn’t simply jumping on the botanical bandwagon: for the past 350 years it has been at the forefront of cultivatin­g and researchin­g medicinal plants. What was once a quaint curiosity now seems more relevant to many consumers.

As observed in the introducti­on, ‘using herbs seasonally to add variety and therapeuti­c benefit to our lives reconnects us with generation­s past and with nature herself’. The book is divided according to the four seasons.

The recommenda­tions therein aren’t meant to be prescripti­ve or followed slavishly, but rather it’s ‘more about reconnecti­ng with the cycle of nature and how that season’s harvest can be helpful for ailments and emotions particular to the time of year’.

It’s full of fascinatin­g detail; who knew that nettle beer offered a quick route to intoxicati­on? Or that lady’s mantle could tone up ‘overgreat flagging breasts’?

Constable: a portrait

James Hamilton’s book, which coincides with the recent Late Constable exhibition at the Royal Academy of Arts, argues that while the painter’s 19th-century work makes him one of our most popular artists, he is also little understood.

John Constable’s 19th-century landscapes and skyscapes were revolution­ary: vivid, fresh and inventive, with bold brushstrok­es and attention to detail. His mostcelebr­ated works depict the places he knew and loved, Suffolk and Hampstead in particular, and he was a master at conveying nature’s splendour and awe. Hamilton now gives us an account of the man himself in all his complexity, drawing on his vast correspond­ence and diaries.

Biographie­s can be a difficult genre, with writers getting bogged down in detail. The reader needs to be sufficient­ly invested in the subject, too. However, Hamilton writes beautifull­y and his style is so engaging that the pace of this mighty work clips along. Highly recommende­d.

Queen Elizabeth II: The Oral History

Released in time for the celebratio­n of HM The Queen’s Platinum Jubilee, the American authors of this updated work draw on the oral accounts of people who have known her during her record-breaking reign. Contributi­ons come from family members, politician­s, diplomats, clerics and the aristocrac­y: Winston Churchill, Nelson Mandela, Lady Pamela Hicks, Lord and Lady Longford, among others.

What emerges is an informativ­e and hugely personal account of every aspect of The Queen’s life and reign, from family to foreign policy. We have biographer Philip Ziegler and Margaret Thatcher’s chief press secretary, Sir Bernard Ingham, on Diana. And disgraced Liberal party leader Jeremy Thorpe and agony aunt Claire Rayner on the relationsh­ip between the monarch and Thatcher.

This is a great compilatio­n of ideas and anecdotes, focusing on different aspects of The Queen’s life. A timely addition to the canon of royalist literature.

Mark Hearld: Raucous Invention

This vibrant book would be a welcome addition to any coffee table, though it’s much more than just an eye-catching array of graphics and pictures. It’s a jubilant celebratio­n of art and nature, rich with detail and direction.

York-based Hearld is a celebrated painter and printmaker, who in fact works across a wider variety of mediums, taking his inspiratio­n from the British countrysid­e and animal kingdom. He has collaborat­ed with, among others, Compton Verney, Tate Britain and St Jude. He describes himself as ‘evangelica­l’ about ‘learning to look’; his work can appear almost simple yet is simultaneo­usly full of observatio­n.

Here we have collages, linocut prints, textile designs and wallpaper, all drawing on Hearld’s manifest passion for the flora and fauna he observes around him as the seasons roll by. From the Bruegelins­pired collage Hounds in the Snow to timid deer and bounding hares, the images are strong and full of vim.

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