The Guardian

Are you listening, Putin?

Crimean Tatar’s song gives voice to pain of annexation Russian favourite could be undone by political voting

- Shaun Walker Moscow

Ukraine's entrant, Jamala, has called on Eurovision viewers to vote for her in support of those suffering from Russia's annexation of Crimea

Ukraine’s contestant in tonight’s Eurovision song contest has said Europeans should show they are “not indifferen­t to suffering” in Russian-annexed Crimea by voting for her performanc­e to win.

Ahead of what is likely to be the most politicise­d Eurovision in recent memory, 32-year-old jazz singer Jamala said her ballad, 1944, was not only about the deportatio­n of the Crimean Tatar population during the second world war, but the events of the past two years in the peninsula.

Jamala, whose real name is Susana Jamaladyno­va and is herself a Crimean Tatar, has not been home since shortly after Russia’s 2014 controvers­ial annexation of Crimea, but her parents and extended family still live there.

Russia’s entry is the bookmakers’ favourite to win the contest in Stockholm tonight, but many in central and eastern Europe are expected to vote tactically to avoid a Russian triumph.

“[If I win] it will mean that modern European people are not indifferen­t, and are ready to hear about the pain of other people and are ready to sympathise,” Jamala told the Guardian by phone from the Swedish capital. Jamala’s song begins: “When strangers are coming, they come to your house, they kill you all, and say: ‘We’re not guilty, not guilty.’”

“Of course it’s about 2014 as well,” she said. “These two years have added so much sadness to my life. Imagine, you’re a creative person, a singer, but you can’t go home for two years. You see your grandfathe­r on Skype who is 90 years old and ill, but you can’t visit him. What am I supposed to do: just sing nice songs and forget about it? Of course I can’t do that.”

The Eurovision rules ban performanc­es containing “lyrics, speeches or gestures of a political or similar nature”.

In 2009, Georgia’s entry, We Don’t Wanna Put In, was deemed to break this rule, with its apparent reference to the Russian president, Vladimir Putin. Georgia refused to change the entry, meaning it did not compete. Last year, Armenia was asked to modify its entry, Don’t Deny, which was thought to refer to the 1915 genocide.

Jamala said she was not worried about the rule. “Every single word in the song is the truth.”

The Russian entrant, Sergei Lazarev, will sing a more standard Eurovision number, entitled You Are the Only One. It contains lyrics such as “thunder and lightning, it’s getting exciting”, and features the singer dancing around the stage flapping a pair of computer-generated wings.

Lazarev, who was formerly one half of a Russian boy band and runs a business that makes cakes and pastries for pets, called Poodle-Strudel, has drawn criticism at home for saying he does not see Crimea as part of Russia.

In a 2014 interview with Ukrainian television after Moscow annexed Crimea, he said: “This joy that everyone – or the majority – feels that Crimea has returned to us, I don’t share this euphoria,” adding that he had refused to take part in concerts celebratin­g the annexation. He has also previously spoken out against Russia’s climate of homophobia, and told Sweden’s QX magazine earlier this month that he welcomed the support of gay fans.

While still popular at home, his words have prompted the youth wing of Putin’s ruling United Russia party to accuse him of forgetting “what country he was born in”.

While in much of Europe, Eurovision is seen as a festival of kitsch to laugh both at and with, in parts of eastern Europe and Scandinavi­a, the competitio­n is taken much more seriously. When Dima Bilan won Eurovision for Russia in 2008, he was immediatel­y phoned by the then president, Dmitry Medvedev, offering his congratula­tions.

The odds against a win for this year’s UK entry, performed by Joe and Jake, range between 100/1 and 50/1.

One of the fiercest rivalries is between Armenia and Azerbaijan over the separatist enclave of Nagorno-Karabakh, which is officially part of Azerbaijan but is controlled by ethnic Armenian forces.

Dozens died in a flare-up in violence earlier this year. In the first Eurovision semi-final on Tuesday, the Armenian entrant, Iveta Mukuchyan, was criticised for waving a Karabakh flag. Eurovision relaxed the rules on flag-waving after protests by fans of Jamala, who said they wanted to wave Crimean Tatar flags.

Ukraine’s decision to enter a Crimean singer is likely to prove controvers­ial at a time when most of the world recognises the peninsula as Ukrainian territory, but Russia insists there can be no going back on the annexation.

Many in Crimea welcomed annexation, but most Crimean Tatars were wary of Russia, rememberin­g the 1944 deportatio­n, from which they were only allowed to return in 1989.

In the past two months, the Crimean Tatar community has come under huge pressure from Russia. While some have decided to work with the Russian authoritie­s, many have declared them occupiers.

A number of court cases are under way against Tatar activists, and many more have simply disappeare­d. Just this week, armed police raided the house of Ilmi Umerov, the former mayor of the historic Tatar capital, Bakhchisar­ai.

He will be charged with “extremism” for saying Crimea is part of Ukraine, and could face up to five years in prison. Jamala said more than 20 of her acquaintan­ces had disappeare­d in recent months.

The Crimean Tatar journalist Ayder Muzhdabaev wrote on Facebook: “Sing, Jamala! Sing, and win to spite them all. Let the world hear the words of your Crimean Tatar song; let them hear our pain and see our dignity.”

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 ?? Photograph: Martin Meissner/AP ?? Russia’s Sergei Lazarev is tipped to win tonight, against Ukraine’s Jamala, but Moscow’s Crimea annexation could trigger a voting backlash among east Europeans
Photograph: Martin Meissner/AP Russia’s Sergei Lazarev is tipped to win tonight, against Ukraine’s Jamala, but Moscow’s Crimea annexation could trigger a voting backlash among east Europeans

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