The Herald

Every day is midlife crisis in an age of problems

Revival of hit play provides laughs at ridiculous­ness of growing up

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wave of feminist thinking, went on day trips to Greenham Common and were not afraid to become independen­t women on their own terms. In 2009, when the play is set, Hilary is about to turn 50, her marriage to Mark is cosy to the point of dull and her about to be 16-year-old daughter Tilly is stropping her way through life in postage stamp size skirts and has taken to letting her monosyllab­ic boyfriend Josh sleep over.

Cora Bissett’s revival of De Angelis’ West End hit relocates the action to Kelvinside, and has designer Jean Chan pile the stage sky high with domestic detritus

Theatre

that looks like an explosion that has burst out from Hilary’s head.

As her mother’s ongoing meltdown spirals, Tilly’s getting of wisdom becomes increasing­ly monstrous. In a pair of beautifull­y nuanced performanc­es, Pauline Knowles and Molly Vevers invest mother and daughter with a vulnerabil­ity that flares up into an antagonism that reveals them as emotional flipsides of each other.

With each short scene punctuated by assorted Me Generation classics interspers­ed with grungier fare that points up the gulf between Hilary and Tilly, the first act ends with a wild dream sequence set to a funereal arrangemen­t of Nirvana’s terminally bratty Smells Like Teen Spirit. There is more dance too, when a scene-stealing Gail Watson as Frances attempts a jaw-droppingly inappropri­ate burlesque number.

With both Frances and Josh’ father Roland depicted as actors, the script is peppered with theatrical in-jokes throughout a piece that could easily be carved up into several episodes of awardwinni­ng TV dramady. Because, while the assorted scenarios of dysfunctio­nal families depicted are first world problems writ large, it is the everyday middle class ordinarine­ss of them that makes De Angelis’ play at times so touching. It does this even as it invites us to laugh at the ongoing ridiculous­ness of a world where growing up only seems to get harder with age.

 ??  ?? LIFE’S MAD MOMENTS: Molly Vevers as Tilly, whose antics do not help as her mother suffers a mid-life crisis. Picture: Mihaela Bodlovic
LIFE’S MAD MOMENTS: Molly Vevers as Tilly, whose antics do not help as her mother suffers a mid-life crisis. Picture: Mihaela Bodlovic
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