The Herald

Dancers out on a limb with sinuous groovings

Confrontat­ional choreograp­hy challenge audience and artists

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a large stone to see what’s scuttling around underneath.

For Seva, whose dance background has roots in hip hop and contempora­ry, that means delving into the basic codes of classical ballet – and then blowing them apart to discover what the body gets up to when those constraint­s dissolve away.

On both visceral and intellectu­al levels, this is a dark piece, where Emma Jones’s lighting design – a matrix of brooding shadows – hints at a society cut off from any kind of nurturing light. Uniformity prevails. Both sexes wear identikit tutus, not in Romantic ballet’s untainted virginal white but in

Dance

subfusc brown-black and dull red: “mucky,” as in Seva’s title.

At first, the group obey an unseen voice counting out beats. But the balletic moves they make have a robotic feel, echoing the soundscore (by Torben Lars Sylvest) that pounds with an industrial feel. When the rhythms take on a wilder urgency, so too do the bodies on-stage and, doubling over to prowl on all fours, the dancers unleash a feral side where spasms of street moves push them towards a new order, a different kind of tribal unity.

Whether you choose to read Seva’s often frenetic, convulsing choreograp­hy as a metaphor for social change or view it purely as a piece of boldly hybrid dance, TuTuMucky is determined­ly confrontat­ional and challengin­g – not least for the dancers, who re-order their limbs from poised composure to sudden eruptions of animalisti­c physicalit­y or intensely sinuous groovings and groinings.

Most of the dancers whose personalit­ies initially stoked Lachky’s ideas for Dreamers (2015) have now moved on, but the current company deliver this mischievou­s exposé of wish projection­s and secret desires with a gloss of tricksy humour and technical brilliance that keeps faith with the original while making the whole caper very much their own. The urge to control – to order other people into doing silly things, or the sheer upsurge of lust that’s triggered by a seriously fanciable stranger – is, if you’re honest, the stuff of private fantasies that enliven the dull familiarit­y of our everyday routine. The dream would be, however, to match the delicious prowess SDT display on-stage.

 ??  ?? A GOOD GROUNDING: Scottish Dance Theatre’s TuTuMucky strips away the norms of order and regimentat­ion.
A GOOD GROUNDING: Scottish Dance Theatre’s TuTuMucky strips away the norms of order and regimentat­ion.

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