The Herald

Slapstick turns to tragedy in oldest love story’s pop-tastic reworking

Magnificen­t riotous revival is a caper with two different halves

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with the wedding night itself, as all passion is spent following the ultimate betrayal. What follows, as Whitehands makes clear, is a lot of leftover love that makes for two very different halves of a magnificen­t caper. film, The Adventures of Prince Achmed, Sunday afternoon’s cinema feature at the Hidden Door festival, saw the main auditorium set up as a casual, laid-back space, with cabaret-style tables scattered throughout the downstairs area.

The film is based on tales from One Thousand And One Nights, and multi-instrument­al acoustic trio Sink incorporat­es Middle Eastern influences into its mesmerisin­g score. With the stars projected on to the walls, it was easy to feel transporte­d to an ancient Silk Road caravanser­ai.

Lotte Reiniger’s 1926 film features her own technique of silhouette animation, involving hugely intricate cardboard cut-outs and using a remarkable 24 frames per second. Some scenes are exquisitel­y beautiful, such as when Pari-Bani, ruler of the mythical land of Wak-Wak, and her attendants fly down to the lake and cast off their feathers to bathe.

A fight scene between the evil sorcerer and the witch, where the two characters transform into shape-shifting animals, is pretty scary, and enhanced by live sound effects, with snarling and barking coming from the band.

Sink’s compositio­n is as clever as their artistry is brilliant. The characters’ movements are quite rigid (they are made from cardboard, after all, so suppleness doesn’t come naturally) and this is echoed with passages of jagged rhythms and pizzicato violin in the music.

A thundersto­rm scene is accompanie­d by tumultuous and foreboding music, while in a more comedic moment a figure of a bat on screen is made to look as though he is dancing to drum and bass. Swirling virtuosic soprano sax playing fused with poignant violin and rich accordion gave the film a compelling narrative, breathing life into Reiniger’s stunning artistry.

Theatre

 ??  ?? GETTING IN THE SWING: All the heartbreak­ers are played at the Club of the Unloved in Tristan & Yseult at the Citizens Theatre.
GETTING IN THE SWING: All the heartbreak­ers are played at the Club of the Unloved in Tristan & Yseult at the Citizens Theatre.

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