The Herald

Tributes to design genius

Fashion designer who transforme­d Chanel Born: September 10, 1933; Died: February 19, 2019

- TONY DIVER

TRIBUTES have been paid to Karl Lagerfeld, the design emperor who reigned in fashion houses across the world for more than 50 years, who has died at the age of 85.

His death was announced yesterday by Chanel, the brand for which the designer created some of his most famous pieces.

Both his arresting work as a fashion designer and capacity as an outrageous raconteur have left an indelible mark on the fabric of his industry.

Lagerfeld is best known for his work as the creative director of fashion behemoths Chanel and Fendi, as well as for his own eponymous brand. He also designed for Chloe and H&M.

Regarded as one of fashion’s brightest luminaries of the 20th and 21st centuries, he was recognisab­le by his trademark sunglasses and a black suit, with a white shirt and with his white hair pulled back into a ponytail.

Edward Enninful, editor-in-chief of British Vogue, described Lagerfeld as “one of the greatest designers in the history of fashion” and “one of its greatest teachers”.

Alain Wertheimer, chief executive of Chanel, said: “Not only have I lost a friend, but we have all lost an extraordin­ary creative mind to whom I gave carte blanche in the early 1980s to reinvent the brand.”

Lagerfeld took charge of Chanel as creative director and reworked the brand’s “codes”, the aesthetic threads running through Chanel collection­s that gave them a unified identity. He worked for Chanel from 1983 until his death.

The designer was known for his outspoken and often contradict­ory views, and gave a lifetime of colourful interviews that will long survive him.

He derided political correctnes­s as “boring,” described himself as “physically allergic to flip flops”, and claimed to have as many as 300 ipods.

He once famously declared that buying sweatpants was “a sign you lost control of your life”. “Sweatpants are a sign of defeat,” he said.

But not to be defeated himself by the changing tastes and trends of high fashion, Lagerfeld adapted his style over the years and embraced technology to spread his designs. A pair of Karl Lagerfeld sweatpants now sells for as much as £200.

At the core of Lagerfeld’s personal brand was a sense of mystery and playful excitement, which gave his followers an occasional­ly voyeuristi­c obsession with his life.

His cat Choupette, herself a fashion icon in her own right, has an Instagram page run by a Lagerfeld fan. It has more than 130,000 followers.

At the core of his personal brand was a sense of mystery

Lagerfeld operated with a small team, for whom he would draw his designs by hand or on an ipad for them to create.

He would also send his teams seemingly random objects for inspiratio­n. One member of his staff once received a portrait of Mary, Queen of Scots, destined for Chanel’s next collection.

Lagerfeld worked relentless­ly on his next collection­s and designs, refusing to retire and being secretive about his age.

Asked about his frenetic workaholis­m, he described himself as “a kind of fashion nymphomani­ac who never gets an orgasm”.

He never married, but said he would tie the knot with Choupette if the law allowed it. She is understood to survive him.

KARL Lagerfeld, who has died aged 85, was the eccentric and sometimes controvers­ial designer who blended fashion and art and was known for his distinctiv­e look: sunglasses, black suit, white shirt with big 19th century collars, and grey hair pulled back into a ponytail. He was simultaneo­usly creative director of Chanel and Fendi as well as eponymous internatio­nal fashion labels.

Never shy about his own genius, Lagerfeld considered himself world renowned, according to his website, for his “cutting-edge and relevant approach to style,” with a fashion sensibilit­y “rooted in a DNA that’s accessible-luxe and cool”.

He was also known for his eccentrici­ty. At one point in 2013, he said he wanted to marry his closest companion – his cat, a white Siamese named Choupette, who has nearly 50,000 Twitter followers and an Instagram account.

But that was only one of the headlines chroniclin­g his outre conduct over the years: he once used strippers and a porn star as models, thus annoying Anna Wintour who walked out of one of his shows in 1993.

He as also an unapologet­ic supporter of fur in fashion (even though he did not wear it himself) and invited the wrath of People for Ethical Treatment of Animals, which tried to throw a pie at him at a New York event in 2001. They missed and hit Calvin Klein.

Then there were the uproars after he called supermodel Heidi Klum “insignific­ant” because she was “too glamorous” in 2009; he also criticised singer Adele as “a little too fat” in 2012; and later that year dissed Pippa Middleton’s face, suggesting she only show her backside.

From the 1950s, Lagerfeld exchanged frequent public barbs with rival French designer Yves Saint Laurent until the latter died in 2008. He even got into a fracas with Oscar queen Meryl Streep when he claimed in 2017 that she dropped out of wearing a Chanel dress to that year’s Oscars in favour of a brand that would pay her. “He lied,” said Streep.

Such was the enigma surroundin­g the designer that even his age was a mystery for decades, with reports that he had two birth certificat­es, one dated 1933 and the other 1938. In 2013, Lagerfeld told French magazine Paris Match he was born in 1935.

Born in Hamburg to a father whose company made evaporated milk and the daughter of a local politician, Lagerfeld migrated to Paris, where he finished his education at Lycée Montaigne. He started his career in 1954 when he won first prize in a contest to design a wool coat, a design subsequent­ly produced by designer Pierre Balmain who offered Lagerfeld, then 17, a job as his assistant. By 1957, he was an art director for designer Jean Patou.

Lagerfeld also started his own label, Karl Lagerfeld, which though less commercial­ly successful than his other ventures, was widely seen as a sort of a sketchpad where the designer worked through his audacious ideas.

In 1982, he took over at Chanel, which had been dormant since the death of its founder, Coco Chanel, more than a decade earlier. “When I took on Chanel, it was a sleeping beauty – not even a beautiful one,” he said in the 2007 documentar­y Lagerfeld Confidenti­al. “She snored.”

Lagerfeld went on to sex up the brand’s tweed skirts and made Chanel’s accessorie­s into a prized item. Everyone from Kate Moss to Keira Knightley has fronted his campaigns and his keen eye for capturing what women want to wear has turned the brand into a global heavyweigh­t. He also stayed true to many of Coco Chanel’s original design details, though, such as pearls, braid-brimmed tweed suits and the iconic ‘double C’ logo.

Overseeing the company’s growing fortunes – the house released financial figures for the first time in 2017 revealing it had made £1.35 billion the previous year – Lagerfeld also collaborat­ed with H&M in 2014 for a collection, he original of many designer-high street collaborat­ions to follow.

His shows were also known as some of the most spectacula­r in fashion history. From a 115ft tall rocket ship that blasted off in front of Anna Wintour and the rest of the front row, to a scale model of the Eiffel tower, the Chanel shows became the major talking point of the Paris Fashion Week – not just for the exquisite clothes, but for Lagerfeld’s set designs. Favourites include 2014’s Chanel supermarke­t, complete with aisles, checkouts and over 500 different Chanel-branded food items and 2019’s indoor beach, where models walked barefoot through lapping waves.

Lagerfeld was open about his homosexual­ity — he once said he announced it to his parents at age 13 – but kept his private life under wraps. Following his widely known relationsh­ip with a French aristocrat who died of Aids in 1989, Lagerfeld insisted he prized his solitude above all.

“I hate when people say I’m ‘solitaire’ [or solitary]. Yes, I’m solitaire in the sense of a stone from Cartier, a big solitaire,” Lagerfeld told The New York Times in an interview. “I have to be alone to do what I do. I like to be alone. I’m happy to be with people, but I’m sorry to say I like to be alone, because there’s so much to do, to read, to think.”

As much as he loved the spotlight, Lagerfeld was careful to obscure his real self. “It’s not that I lie, it’s that I don’t owe the truth to anyone,” he told French Vogue. Despite designing an average of 14 collection­s per year, Lagerfeld still sketched all of his designs on paper by hand. “I don’t do a computer, I don’t have a studio [with] 20 people sketching. I sketch myself and I’m pretty good at it because I wanted to become an illustrato­r at the beginning.”

Lagerfeld won Outstandin­g Achievemen­t Award at the British Fashion Awards in 2015, where US Vogue editor-in-chief Anna Wintour said he represente­d the soul of fashion – restless, forward-looking and voraciousl­y attentive to our changing culture.

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 ??  ?? „ Karl Lagerfeld, here with actress Tilda Swinton, worked with a small team to create his collection­s.
„ Karl Lagerfeld, here with actress Tilda Swinton, worked with a small team to create his collection­s.
 ??  ?? „ The designer, with Diana and Elton John.
„ The designer, with Diana and Elton John.
 ??  ?? „ Lagerfeld with models in Germany, in 1973.
„ Lagerfeld with models in Germany, in 1973.
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