The Herald

Dancer and arts worker with a lifelong spirit of fun and adventure

- Margaret (Maggie) Singleton Born: November 28, 1949; Died: October 16, 2021.

THERE is a thread that connected Maggie Singleton, who has died aged 71, to everyone who was fortunate enough to know her, whether as family, friends, neighbours or colleagues – her unfettered love of life and her endless pursuit of joy and laughter. Few who met her ever forgot her.

She embraced and encouraged a spirit of adventure, and inspired others to follow. She had two passions in life – her family and friends, and her love of dance – both of which she followed throughout her adult life.

With her husband Martin, a photograph­er and cameraman, son Simon and daughter Kyla, their basement flat in the west end of Glasgow was a magnet for anyone interested in dance, music and good conversati­on. But Maggie’s energy and enthusiasm extended far beyond raising her family.

She had been educated at Dunfermlin­e College of Physical Education from 1967 to 1970, and afterwards began her career in teaching before moving into arts developmen­t, with a focus on dance.

After stints with the Scottish Arts Council as a dance developmen­t officer, she worked with Glasgow City Council in the late-1990s as part of its arts developmen­t team. When Glasgow Life was formed in 2007, her role was arts officer (children and young people), a position she would keep until she retired.

As artistic director and programmer of the Inspiratio­n Arts Festival for Children, she not only fostered a legacy of arts participat­ion for young audiences but also nurtured a generation of artists and makers creating work for this audience. She regarded dance and performanc­e as hugely influentia­l creative art forms that should be made available to all, especially young people, and this became the hallmark of her career in the arts scene in Scotland.

Discussing 2011’s Inspiratio­n Arts Festival programme she had curated for young people, she said: “My aim is to give as broad a spectrum of the arts as possible, to include dance, music, and visual arts. I’ve always felt these experience­s are crucial to children’s developmen­t – it can help them express their emotions and develop their language. It’s so important that they have the opportunit­y to participat­e in magical experience­s.”

As a producer for the Commonweal­th Games’ Cultural Festival in 2014, she was at the forefront of one of Glasgow’s most significan­t art events. Her programme celebrated the city’s diverse cultural roots, delighting children and their families in Glasgow Green’s “Wee Zone”.

She was a strong advocate and regular champion of local cultural projects. In the early 1980s, she was involved in the restoratio­n of Glasgow’s famous but derelict Dowanhill Church, now known as Cottiers. Those who worked with her in the building’s transforma­tion recalled her spirit, positivity and sense of fun, while rememberin­g her leading by example, holding dance classes in the church’s uninsulate­d rooms.

Maggie was a creative pioneer celebrated for her openness and appetite for innovation, supporting new ideas and embracing challenges with a smile and a flourish. Beyond her work with children and young people, she was extremely knowledgea­ble and experience­d in the dance world and brought this expertise and generosity to her projects.

None of that changed in her retirement, even after Martin’s sudden death in 2014.

She continued to work with young people, becoming a board member and active supporter of Ignite Theatre, which works with children and young people from diverse background­s. She took up volunteeri­ng, becoming a familiar sight at many festivals and cultural events: Celtic Connection­s, Aye Write!, Merchant City Festival, 2018 European Championsh­ips, Findhorn Bay Arts Festival – and a memorable promenade through the streets of Possil to commemorat­e the meteor that landed there in 1804.

Maggie even worked on the BBC’S Antiques Roadshow when it arrived in New Lanark in 2016

She rekindled a passion for singing in her retirement, joining vocal group dance Sing, which allowed her to take part in such memorable performanc­es as the Falkirk Kelpies on Summer Solstice, a “flashmob” at Monachyle Mhor Festival, and singing at the BBC Live Radio tent at the Edinburgh Festival.

Maggie regularly travelled the globe, spending time with Kyla and partner Harry in New York, Simon and partner Katie and grandchild­ren Kieran and Brodie in London, and her older sister Sheena and family in Perth, Western Australia.

She willingly embraced adventure on these Australian trips, regularly heading out on extended road trips with her “big sis” and even once swimming with whale sharks off the coast of Exmouth.

In 2019, she was delighted to finally return to Uganda, where she spent some of her happy childhood years and which left a lasting impression on her.

Maggie Singleton loved life and wanted nothing more than to share that joy with others. She touched the lives of so many and always with a smile.

During the lockdown restrictio­ns when travel and face-to-face contacts were proscribed, she used her isolation to record videos in her garden demonstrat­ing her newlylearn­ed expertise with a hula-hoop to share with the family. That was the kind of woman she was – her legacy is one of joy, and may her dance live on in all who knew her.

Maggie loved life and wanted nothing more than to share that joy with others. She touched the lives of so many and always with a smile

 ?? Picture: Sheila Mccubbin ?? Maggie Singleton was widely renowned for her energy and enthusiasm
Picture: Sheila Mccubbin Maggie Singleton was widely renowned for her energy and enthusiasm

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