The Herald

Plot twist with fears for future writers as earnings plummet

- By Deborah Anderson

IT conjures up a romantic image of gracefully caressing the keys of a vintage typewriter as authors bring their characters to life on the page as they chip away at their next best seller.

However, new research shows a different story as a study has found that the future of writing as a main profession is under threat in the UK following a substantia­l drop in earnings in the past 16 years.

Earnings for self-employed writers who spend more than 50 per cent of their working time writing have fallen from £17,608 (controllin­g for inflation) in 2006, to £7,000 in 2022, the study found.

In the same survey undertaken in 2006, 40% of authors earned all of their income from writing, compared to 19% in 2022.

The report said “there are serious questions over the future of writing as a profession” and that writing in itself “cannot sustain an income that is consistent with a minimum wage”.

Researcher­s also found that diversity is an issue in the profession, with women, black and mixed-race authors, the very young and very old all earning less than their respective counterpar­ts.

The study was carried out by CREATE (the UK Copyright & Creative Economy Research Centre based at the University of Glasgow’s School of Law and Advanced Research Centre) and was commission­ed by the Authors’ Licensing and Collecting Society (ALCS) to conduct the independen­t research.

Amy Thomas, project investigat­or for the survey, said: “Our report has been fairly unique in its timing, taking place after both the Covid-19 pandemic and Brexit, and now the ongoing cost-ofliving crisis.

“Although there has been a general decline in author earnings over the past two decades, our 2022 survey shows an accelerate­d decline that has no doubt been exacerbate­d by world events. This raises serious questions about the sustainabi­lity of the writing profession in the UK.

“Consistent­ly, we find that earnings from writing are decreasing and creative labour becoming de-valued. Whilst many of our respondent­s talked about their love of creating, and passion for writing, relying on their altruism has been used to justify an increasing­ly unlivable wage.

“We also found that writing is far from an equal opportunit­y profession. There are substantia­l inequaliti­es between those who are being adequately rewarded for their writing, and those who are not.

“This begs the question whether we are stifling our creative culture by disincenti­vising a broad and diverse group of writers from participat­ing in this market.”

Glasgow-based author Theresa Talbot, who has four books under her belt, including Keep Her Silent and The Lost Children, says it isn’t easy to make a living from out of it, but says it is a fantastic profession to be part of.

Despite her success she explored other revenue paths and went back to one of her great loves, horticultu­re, and now runs her own business, Willow & Herb, and has had a long career in radio presenting and scriptwrit­ing.

“It is an easy profession to break into, but a difficult one to make an income from,” said Ms Talbot. “Yes there are some very successful authors with large publishing houses behind them, but it can be hard to get your book out there. It can take you a year to write a book and that could be a year without an income coming in.

“In Scotland we are lucky that through the Scottish Book Trust’s Live Literature fund authors can supplement their income with appearance­s at festivals or events, but that is unique to Scotland.”

Researcher­s found “extremely high levels of earnings inequality” in the profession, noting the top 10% of authors earn 47% of total individual earnings.

The survey was issued to 58,260 members of the ALCS in spring this year and received 2,759 responses.

Scots author Paula Johnston, who wrote crime thriller The Lies She Told, said: “Self publishing has the potential to make money to match a living wage, but not everyone reaches that. I had no option but to give up previous employment and go down the self employed route due to my health, and was fortunate enough my novel provided a wage for me that covered my cost of living.

“However, there was no guarantee, and almost three years on, and waiting for a new book to be released, I receive little to no wage at the moment.”

It is an easy profession to break into, but a difficult one to make an income from

 ?? Picture: Robert Perry ?? Crime writer and gardener Theresa Talbot in her garden in Clarkston, Glasgow
Picture: Robert Perry Crime writer and gardener Theresa Talbot in her garden in Clarkston, Glasgow

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