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Women are not ‘over’ at any age

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PEOPLE told Salma Hayek her “career would die” when she hit her mid-thirties. The 54-year-old actress – who was born in Coatzacoal­cos, Mexico – confides she was also told it would be “impossible” for a Mexican to have a leading role in Hollywood.

And yet, here she is, announcing proudly on a Zoom call: “This is the best time in my career.”

“I was told so many times it couldn’t happen, and I almost believed them – but I fought it and I won,” the Academy Award nominated star says, with a loud, infectious laugh. And I want other women to realise that, because in your thirties you feel the pressure, in your forties you feel the pressure – and late blooming, it’s a beautiful thing.

“We’re not ‘over’ at this time, or at another time. If you’re creative and enthusiast­ic and curious about life, life can be exciting forever. The entire time.”

But what we’re chatting about is

Bliss, a mind-bending love story written and directed by Mike Cahill, which is available to watch now on Amazon Prime Video.

The sci-fi film follows recently divorced Greg (Owen Wilson) as he meets Isabel (Hayek), a mysterious woman living on the streets, who is convinced that the polluted, broken world around them is just a computer simulation. Greg is doubtful at first, but eventually he discovers there may be some truth to Isabel’s wild conspiracy...

“The originalit­y of the script was one of the things that really drew me to it, because there’s something very realistic in this sci-fi,” suggests mum-ofone Hayek (she shares Valentina, 13, with her husband, French businessma­n Francois-Henri Pinault).

“It’s not like other ones [sci-fi films]. Even though we have parallel universes [in Bliss], they look like this universe – there’s little things here and there. It’s not like we go to another planet.

“There was something quite grounded, and quite human, about it.”

In Bliss, we see how Isabel believes there are only about 16 ‘real people’ in the whole world; the rest are fakegenera­ted people.

Her evidence is this: she demonstrat­es a technique for telekineti­cally manipulati­ng reality, almost like a conductor in an orchestra.

Greg learns to harness this worldbendi­ng power too, leading him to become freed from the guilt he was carrying around in his previous life. In fact, he starts to embrace the fun, carefree thrill of the simulation.

But when Greg’s daughter Emily (Nesta Cooper) tracks him down and tells him to come back to reality, saying his head is not on straight, Greg has to decide whose reality is real: Isabel’s or Emily’s?

“It’s a love triangle, actually, in a strange way,” explains Connecticu­t native Cahill, 41. “It’s a man, his daughter and this woman, who he falls in love with. A really powerful story is the kind of love story where the whole world around you disappears. Whether that’s good or bad, I don’t know exactly, because there are important things in the world that shouldn’t disappear.

Using science fiction to tell this kind of love story, where two people are vying for the veracity of their world, seemed really compelling to me.”

It’s an ancient story, adds Cahill, which goes back to “Plato’s Cave, 2400 years ago - and it keeps getting retold and retold and retold through cinema”.

“The Matrix is a very famous version of it, but so’s The Wizard of Oz, and so’s Eternal Sunshine, so is Shutter Island and Clockwork Orange,” he follows.

“This idea of a world within a world also is really compelling to me, and I can’t escape that existentia­l thought that there’s something more to life than just, you know, Zoom screens and tables and chairs.”

As Bliss so cleverly looks at the different ways people see the world, Hayek is captivatin­g in the way she gives life to Isabel and her complex views.

As Cahill puts it, the way she “brings the humanity to this character is something that is enlightene­d and beautiful and powerful.

“She has this unique ability to add this sort of magnetism and excitement – and in the storm of it all, she gives it integrity and value and beauty that it deserves to have. It’s interestin­g that this movie comes out as this time because I think, with all the confinemen­t, we have created our own ‘Bliss’ world through technology, and in that cave, you can find so many different ways at looking at things.”

Bliss is available to stream now on Amazon Prime Video

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