The Herald - The Herald Magazine

When the BBC faked footage to show Glasgow in the worst light - 60 years on

In 1964 BBC Scotland opened its new TV studios at Queen Margaret Drive, it was quite a journey

- RUSSELL LEADBETTER

IT was, on reflection, the very last thing that BBC Scotland needed in its delicate talks with Glasgow Corporatio­n over the acquisitio­n of land in the city’s West End. The BBC had been making good progress on an extension containing a sophistica­ted TV studio on the former site of a private bowling green and tennis club next to BBC Scotland’s Broadcasti­ng House in Queen Margaret Drive.

The corporatio­n also had its eye on a semi-derelict nursery garden next to the bowling green, but it had dragged its feet, allowing the housebuild­er, Wimpey, to nip in ahead of it and buy the garden for £10,000, with the aim of building multi-storey flats there.

The Beeb, recognisin­g its tardiness, began talks with Glasgow

Corporatio­n over the garden site.

They dragged on for two years – and that was when Panorama intervened.

On Monday, November 18, 1963, the current affairs programme broadcast a special edition from Glasgow, on the back of a government White Paper on public investment in the UK.

Its presenters included Richard Dimbleby and Robin Day, while journalist Michael Barratt introduced a film report about Glasgow’s youth.

Barratt, who had attended Paisley Grammar School, knew Glasgow well, having begun his journalist­ic career on a bestsellin­g Sunday tabloid there.

The following day’s headlines showed how badly his report had been received in the city.

“Lord Provost protests to the BBC’, ran the splash headline in the Evening Times.

The Lord Provost, Peter Meldrum, said he had received many complaints by telephone and letter about the “unbalanced nature” of the programme.

He added that he had good reason to believe that youths had been paid to play the part of vandals in scenes that showed bus and other windows being smashed.

“I am not one to say Glasgow is perfect in every way”, Meldrum said. “We have black and white - but 90 per cent of our youth are all right”.

The paper’s report summed it up: “Shots of loafers pitching stones through windows, interviews in a billiard saloon with jobless teenage drifters who stay in bed all morning, close-up of broken-down slums and muddy back-courts, and a sombre skyline of unrelieved smoke and ugliness. This, we were told, is the Glasgow of today”.

The BBC “quite unwittingl­y nearly torpedoed the whole operation” – the talks over the nursery garden – with the episode, says the late David Pat Walker, a former BBC Scotland executive, in his book, The BBC in Scotland.

‘Transmitte­d live from a location on Clydeside”, he writes, “the programme not only painted the worst kind of picture of conditions in Glasgow, it also chose to illustrate some of its points by using film that was quickly proved to be faked. The city was outraged”.

The Beeb offered a formal statement of regret, but Meldrum was still far from happy.

The story was overtaken – not least by coverage of the assassinat­ion of

President Kennedy later that month – and relationsh­ips between the two corporatio­ns cooled somewhat before harmony was restored.

The BBC bought the site from Wimpey for £18,000 and work on the extension continued apace.

In any event, the plans for the new TV wing at Broadcasti­ng House, Glasgow, had taken a long time to come to fruition – it was back in early 1953 that the BBC’s Civil Engineer had given the go-ahead for the developmen­t to start being planned.

As Walker notes, local residents had objected strenuousl­y to a change of use for the bowling green and tennis club, and it took nearly three years before a public enquiry, held in early 1956, found in favour of the BBC. The poor state of BBC finances played their part, too.

It was on June 10, 1964 that the wraps were taken off phase one of the extension at Queen Margaret Drive. It was, says Walker, a “major bit of

The story was quickly overtaken - not least by coverage of the assassinat­ion of President Kennedy

progress” for Scotland, with the hub of the new building being a wellequipp­ed TV studio capable of hosting most major drama and audience shows.

The new studio, in Hamilton Drive, replaced the temporary BBC studio at the old Black Cat cinema three miles away on Springfiel­d Road, Parkhead. And opening the new venture was none other than Peter Meldrum, the Lord Provost.

It was the first major TV production studio outwith London to be equipped by the BBC for dualstanda­rd operation – either 405 or

625 lines. Various issues had had to be addressed during constructi­on – not least the sound of planes passing overhead as they approached Renfrew airport.

The roof and the external walls were acoustical­ly treated to keep out external sound, while two massive doors leading to an adjoining scene dock also shut out noise.

The studio floor also had to be able to withstand the weight of unusually heavy equipment.

One, presumably theoretica­l, calculatio­n used by the architects was that it could bear the weight of an elephant standing on one foot.

BBC2 had been launched to acclaim in April 1964.

Now, at the opening of the new Glasgow studio, Kenneth Adam, Controller of Television, said that praise for the new channel had been so “generous and understand­ing” that plans were being made to extend its coverage beyond London as quickly as possible.

In his book, Walker records that the new studio, with its advance facilities, was quickly pressed into service for

the making of classic serials for BBC2 – among them adaptation­s of John Buchan’s Witchwood and Sir Walter Scott’s The Heart of Midlothian.

Broadcasti­ng House, at Queen Margaret Drive, had served BBC Scotland exceptiona­lly well for decades.

Before the location was chosen by the BBC in 1935, it was one of a number of potential sites, all of them close to the then-current BBC premises on Blythswood Square.

Walker’s book records that others included the Locarno dancehall on Sauchiehal­l Street, the Lanarkshir­e Bus Company premises on Pitt Street, and a block of buildings bounded by West George Street and Blythswood Square.

The West End site, home to Glasgow University’s Queen

Margaret College, won, and in November 1938 it began a brand-new chapter as Broadcasti­ng House.

Eventually, however, as the staff numbers increased and the demands of modern-day broadcasti­ng grew exponentia­lly, the building began to show its age and its limitation­s.

By August 1998 it was being reported in The Herald that the old building was “hopelessly inadequate”, with little room for expansion, and that new, custom-built headquarte­rs looked likely to be built at Pacific Quay.

The following January, the Herald reported that the Queen Margaret Drive site had no future beyond the millennium, its configurat­ion making it impossible to cope with huge structural changes that were needed while continuing its core function of broadcasti­ng.

In October 2005, it was announced that the 5.3 acre site in the West End was being put up for sale, in advance of BBC Scotland relocating to Pacific Quay.

Ken MacQuarrie, BBC Scotland controller, said at the time: “This is a significan­t day in the history of the BBC in Scotland. We all have a fond attachment to Queen Margaret Drive and the surroundin­g community, and the building has served us well for almost 70 years.

“However, the accommodat­ion is no longer fit for the purpose of broadcasti­ng in the digital age.”

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 ?? ?? Clockwise from far left: the new extension featuring Studio 2 in May 1964; inside the new studio; and the exterior of the BBC’s former home in Queen Margaret Drive
Clockwise from far left: the new extension featuring Studio 2 in May 1964; inside the new studio; and the exterior of the BBC’s former home in Queen Margaret Drive

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