The Independent

Professor Felix Pirani

Physicist who did valuable work on gravitatio­nal waves and was concerned with scientists’ responsibi­lities

- Pirani: he was always happiest working collective­ly, and inspired affection in all those who worked with him JIM RITTER

Felix Pirani was one of the major figures in the rebirth of general relativity theory and gravitatio­nal research following the Second World War. A committed socialist, he was active in movements concerned with the political and moral responsibi­lities of scientists.

His father, Max, was a well-known concert pianist, his mother, Leila Doubleday, a violinist. They were born in Australia, but did not meet until each had moved to England, where Felix was born in 1928, a sister, Gina, following a few years later. The family moved to Canada in 1941, and their mathematic­ally precocious son entered university at 14. He graduated in mathematic­s and physics from the University of Western Ontario in 1948 and entered the Masters programme at the University of Toronto; it “opened up a brave new world” for him, he said, because it was one of the handful of places at that time where one could learn Einstein’s theory of general relativity.

The Polish relativist and friend of Einstein, Leopold Infeld, was there, as was his recent doctoral student, Alfred Schild. There Pirani learned Einsteinia­n gravitatio­nal theory and in Schild acquired a lifelong friend.

In 1951, Pirani left to study at Trinity College, Cambridge with the cosmologis­t Hermann Bondi, one of the creators of the Steady-State theory alternativ­e to the Big Bang. He was invited by Bondi to join him in his new post at King’s College, London. Installed in what would be his permanent academic home, and working with Bondi and Clive Kilmister, he turned King’s into a world centre for research in gravitatio­n and relativity theory.

Faced with a problem in physics, Pirani’s great strength was to identify its significan­t physical core and to create or develop rigorously sophistica­ted mathematic­al tools to represent it. This was already visible in his early work on cosmology and on the unificatio­n of quantum theory and general relativity, where he and Schild launched a programme now called canonical quantisati­on.

But it was most fruitful in what is probably his most important work, on gravitatio­nal waves – waves arising from the movement of massive bodies. Their existence was expected from the theory of general relativity, but not establishe­d until very recently. In 1956 and 1957 Pirani showed for the first time that general relativity allowed for such waves and how one might detect them. With Bondi and Ivor Robinson, he was also able to find the first explicit solution to the Einstein field equations to represent plane-wave gravitatio­nal radiation.

A good example of his way of working is illustrate­d by his now classic 1972 article with Schild and Jürgen Ehlers which showed how the geometrica­l structure of space and time in the universe could be built up by studying the ways in which particles move. This question of physical significan­ce in a scientific theory was so important for him that when, in his view, relativity theory moved in increasing­ly speculativ­e direction in the 1960s and ’70s, he drifted away from it into another field, that of solitons, waves which keep their shape over time.

Pirani was also a skilled popularise­r. In 1958 he revised a classic work of popular exposition of Einstein’s theory, Bertrand Russell’s 1925 work The ABC of Relativity, seamlessly integratin­g much new material in it. He returned to cosmology in 1993 to write the graphic guide The Universe for Beginners with the illustrato­r Christine Roche, and the two collaborat­ed again later in a book on nuclear power.

As important to Pirani was politics; as a Marxist he felt a responsibi­lity to intervene where science had an impact on the world. He joined the CND and participat­ed in a number of the Pugwash Conference­s on Science and World Affairs. He was active in the British Society for Social Responsibi­lity in Science, which intervened in public debates and provided technical and scientific assistance for unions, community organisati­ons and other groups.

In 1983, in the midst of the Thatcher attacks on universiti­es and the failure by the aca- demic community to mount resistance, Pirani decided to take early retirement. He wrote a series of children’s books, illustrate­d by Christine Roche, which presented alternate ways of seeing the world, reflecting his political and moral concerns through a playful prism. They were successful and controvers­ial, especially the “Abigail” series (the principal character, an independen­t girl whose boldness and unwillingn­ess to suffer fools matched Pirani’s own, was named after his daughter). He was proud that Abigail at the Beach, in which the heroine summons up in her vivid imaginatio­n threats of violence to protect her sandcastle from boys and Martians, led to a question in Parliament from an outraged Tory backbenche­r.

He also learned mosaic-making and created a number of original pieces, often with themes drawn from physics and politics. He was always happiest working collective­ly, and inspired friendship and affection among all those who came in contact with him. μ Felix Arnold Edward Pirani, theoretica­l physicist: born 2 February 1928; married firstly (marriage dissolved; one daughter, three sons), married secondly (marriage dissolved), partner to Marta Monteloni (died 2005; two stepsons), partner to Julia Vellacott; died 31 December 2015.

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